Category Archives: Amazing Stories

Plans for 2014

New YearHappy New Year!

Oh, sorry. I didn’t realize some of you were still hung over. Is this better?

No, now those of you in the cheap seats in the back can’t hear. Geez, there’s just no pleasing some people.

(I was going to write the preceding in different font sizes, but it seems I can only do that if I edit the HTML code. More of a learning curve than I’m interested in today. So much for being creative and clever.)

Anyway, Happy New Year. And to everyone who sent me a tweet thanking me for including them in my list of the best books of 2013, you’re quite welcome.

In this post, I thought I’d outline some goals for the coming year. Continue reading

2013: An Assessment – Individual Authors and Titles

This is the second part of my assessment of 2013.  The first looked at publishers.  Here I’ll feature some authors and/or individual titles that I thought were standouts.  Links for books will be to my reviews (the reviews will have links to buy if you’re interested.)  Since I’ve been doing a weekly post at Amazing Stories, with only one week missed, I’ll be including some of the titles I reviewed there in this list.

As with the publishers, these are in alphabetical order.  I’m probably overlooking someone or a particular book.  I apologize in advance.  This list consists of titles and authors I read in 2013 and isn’t intended to be inclusive.  Feel free to share your suggestions in the comments.  Again, I’m including mystery, crime, and science fiction as well as fantasy. Continue reading

I Look at the Ballantine Adult Fantasy Series

bk_dream-quest_lovecraftI started to refer to this project as Sooper Seekrit Project Number 3, but it will go public too quickly to really have that title.  Number 1 was the Amazing Stories gig.  Number 2 has been put on hold indefinitely, and will thus remain secret for a while longer.

John ONeill asked me about a month or six weeks ago if I would consider doing some posts for Black Gate.  After a brief back and forth, this is what we settled on.  I said I would be glad to do it, but it would have to wait until October was over.  He agreed.

200px-Lin_Carter_DFR

Lin Carter

So here’s the deal.  I’m going to be reviewing the Ballantine Adult Fantasy Series edited by Lin Carter.  The first post will be a brief overview of the series, placing it in its historical context.  Then I’ll start reviewing the books.  I’m going to take them in order of publication at first, but at some point I’ll start jumping around.  Some of the titles I find the most interesting were published later in the run.

KhaledFor those of you who might not be familiar with it, the Adult Fantasy Series was a series of books published by Ballantine Books in the late 1960s through the mid 1970s.  Edited by Lin Carter, the series included a number of works written in the 1800s or early 1900s, many of which had fallen into obscurity or were unfamiliar to American readers.  The books had gorgeous wraparound cover art and are highly collectible today.

I’m not going to be on a regular schedule, at least not for a while.  My intention is to get about one post a month done.  I’m still doing a weekly post for Amazing Stories, and that will continue through the end of the year.  Then I’m going to cut back.  Trying to review an independent work every week is starting to put more of a strain on my schedule than I want.

At the Edge fo the World

Some Thoughts on the Random Penguin Merger

Although he may not have a household name, Tom Dupree is a publishing insider with a lot of experience.  He doesn’t blog often, but when he does, what he has to say is usually worth paying attention to.  He posted today about the merger of Penguin and Random House into Penguin Random House, (AKA Random Penguin on this blog).

I think he’s spot on in what he has to say.  Go read his post if you haven’t yet.  I’ll still be here when you get back, with some thoughts of my own.

OK, now that you’re back, the last few sentences of Tom’s post should be fresh on your mind.  Here they are again for easy reference:

If you, the customer, get more stuff to read that you like, then this will have been a good thing. But if the Big Five turn into what they’re increasingly coming to resemble, the movie “majors” – nothing but blockbusters, and indie artists can go fend for themselves – then mutually assured destruction is just around the corner. And the real creativity – the kind that builds those glorious books that throw lightning bolts – will again reside where it once did: in small, independent publishing houses.

I’m afraid what we’re going to see is the latter possibility rather than the former.  Let’s look at the movies for a moment, shall we?  What do we usually get, especially this time of year?  Blockbusters, or rather blockbuster wanna-be’s.  And how many of those are either sequels of previous years’ blockbusters (Despicable Me 2) or reboots and new interpretations of old established franchises, often from TV or radio shows from prior generations (The Lone Ranger)?  There aren’t very many original movies, although there are a few (Now You See Me), and many of those feature an actor or actress with established star power (Oblivion). 

Steven Spielberg and George Lucas recently criticized the film industry for depending on blockbusters and offering moviegoers less choice for higher prices.  (Does anyone else see the irony in this?)  I tend to agree with them. 

We’ve been seeing the same thing in publishing for quite a while.  It’s getting harder to find original work amidst all the derivative crap, whether it’s yet another necro-erotic urban fantasy or the latest imitation of The Lord of the Rings A Game of Thrones.  In science fiction, it’s even worse.  Publishers want blockbusters or endless series of doorstoppers.  And the editing and quality of the physical product isn’t improving.  But prices are going up.

I think small presses and independent publishers (including self-pubbers with a quality product) are where all the action is.  There’s very little from the Big 5 that holds my interest any more.  While “mutually assured destruction” may be a bit over the top, it’s not far from the truth.  When the publishers began merging and were swallowed up by a few multinational conglomerates, the readers and authors lost out.  Eventually readers will get tired of the same thing all the time and look elsewhere.

I don’t hold out much hope for Random Penguin to improve the selection on the shelves of my local bookstores (yes, there are 3 where I live if you stretch the definition of bookstore considerably).  There are reasons why I read primarily books from indie and mid-size publishers such as Pyr and Angry Robot.  I do my best to point out some of the jewels I find here, at Futures Past and Present, and in my posts at Amazing Stories (TM).  There’s not much I review from the big boys anymore.  I have a feeling that that isn’t going to change anytime soon.

Further Thoughts on Marvin Kaye and Weird Tales, Plus Some Suggestions

Last fall I wrote a detailed review about the first issue of the latest version of Weird Tales.  One of the commenters, Chap O’Keefe, said he had sold a pair of stories that were scheduled to come out in subsequent issues.

Since then, there’s been little news about when those issues would appear.  At least until last Monday (June 24).  Mr. O’Keefe updated the status of his submissions in a follow-up comment.  I’m reproducing it in its entirety: 

Since the above was written, including my comments, much has changed at the new WT.My own latest shock came in an email from Marvin Kaye earlier this month in which he welshed on his acceptance of the two stories he was going to run in his magazine. Once upon a time you could count on an editor’s word, and his written word was as good as a handshake. The whole sorry tale is told in full in the introduction to my new Amazon Kindle eBook Witchery: A Duo of Weird Tales You might like to run the guts of it as a post in your new blog — a salutary warning to all who rely on gatekeeper publishers! In fact, it gives my small ebook a third, very weird tale. Story is “excellent” but editor and co-publisher Kaye must put it aside so he can re-open his “submission portal” to other, unseen stories … Huh? Has the man lost lost it?

And here’s a follow up comment with more information:

 I understand this situation affects several more writers, too. Kaye said, “I regret to inform you that the publisher of Weird Tales has decided to pass on quite a few stories, yours included. This is a measure to reduce our huge fiction inventory.” Kaye owns the rights to the Weird Tales magazine title and is co-publisher, so there is little we can do about what, as you say, is a pretty unheard-of thing to do, except WARN OTHERS. Kaye has offered no fee, just a promise that “If you have not sold your submission elsewhere, try us again in 9 months. If we have room at that time, it will be an automatic sale.” Note the “ifs”; note what his previous promises were worth.

I bought and read WitcheryI reviewed it at Amazing Stories, since the traffic is higher there.  I found both stories to be quite enjoyable and recommend the book.  It’s only $0.99, so it’s a steal.  The introduction alone is worth that.  If you’re interested in Weird Tales, you should read the introduction.

My purpose here isn’t to repeat the review, but to discuss some of the implications of what’s happened.  I’m not privy to Mr. Kaye’s counsel, and in fact have never met the man.  I’ve always enjoyed the anthologies he’s edited along with the first issue of the new Weird Tales.  My overall opinion of his taking the reigns of the magazine was that This Is A Good Thing.

Now I’m of a different opinion.  Frankly, I can’t begin to imagine what’s going through the man’s mind.  Why on Earth would he reject stories, perfectly good stories that he’d already accepted, just to reopen to submissions?  If he’s the editor can’t he open the slush pile when he’s good and ready?

Of course, if you recall, Kaye announced that excerpts of the novel Saving the Pearls would be appearing in the first issue he edited.  This is a book that many people in the sff community believed to be racist.  Publisher John Harlacher eventually (and belatedly) nixed that idea.  (Events summarized here.)  Maybe Harlacher is the one insisting on reopening for submissions?  I don’t know, but at this point it’s a possibility I’d consider until I learn otherwise.  None of which helps Mr. O’Keefe or any of the other authors who have received these letters.

I’ve seen reports that the magazine is foundering, at least in part because it has lost newsstand distribution.  I don’t see why that should be a problem.  There are a number of magazines that seem to be doing quite well that don’t have newsstand distribution or even print editions.  They run on some version of a model of electronic subscription and free stories online.  Perhaps you’ve heard of some of them.  They include but aren’t limited to:  Lightspeed, Beneath Ceaseless Skies, Apex, Nightmare, Clarkesworld, and Galaxy’s Edge.

So here are my suggestions.  Mr. Harlacher can take it for what he thinks it’s worth, assuming he ever sees this.  First, change your business model.  Adopt the basic model of the magazines listed in the previous paragraph.  Forget about newsstand distribution.  The print format genre fiction magazines such as Asimov’s, Analog, F&SF, EQMM, and AHMM saw their circulations drop for years until they began to produce electronic versions.  Since then things seem to have improved.  Magazines such as Realms of Fantasy have tried to make a go of it as print periodicals and are no longer with us.  Learn from these publications, both print and electronic, what works and what doesn’t.

Replace Marvin Kaye.  As much as I enjoyed his anthologies for the SFBC, and as much as it gives me no joy to write this, Kaye seems to have gone around the bend as an editor.  Find someone who will find new and exciting weird fiction while respecting the history of the publication, avoiding unnecessary controversy, or poor editorial decisions.  Kaye’s selection as editor was too divisive, and his decisions since then have only made things worse.  Someone who can restore faith in the publication needs to be the editor.  (Good luck finding this person.)  Ann Vandermeer brought new readers to the magazine while alienating many of the long-term fans.  I think at least for the near future, the publication should have a mix of fiction that is broader than anything Kaye or Vandermeer published.  Ideally, if WT published 4-6 stories a month or 2-3 every 2 weeks, there should be plenty of variety to please a majority of readers in both camps.  Not all, but a majority.

Those are my thoughts on how improve the magazine and get it back on its feet, as well as restoring its reputation.  I realize not everyone will agree with them.  That’s fine.  I’m making these suggestions in the interest of initiating a dialogue.

I’d like to thank the person who linked to my review in the Wikipedia article on Weird Tales

Amazing Stories Returns to Publishing Fiction

For Immediate Release

Hillsborough, NH
May 10, 2013
Wolf End World cover small
Amazing Stories Publishes Excerpt From Douglas Smith’s New Novel THE WOLF AT THE END OF THE WORLD

Returns to Publishing Fiction for the first time since 2005.
Amazing Stories, the world’s first science fiction magazine, is pleased to announce that it has returned to publishing new fiction with the release of a substantial excerpt from Aurora Award-Winning author Douglas Smith’s new novel THE WOLF AT THE END OF THE WORLD. 
Douglas Smith describes his new novel as being –

“Set in modern day Northern Canada, THE WOLF AT THE END OF THE WORLD is an urban fantasy incorporating First Nations mythology. With an introduction by World Fantasy Award winner, Charles de Lint, the book will appeal to fans of de Lint and Neil Gaiman. In it, a shapeshifter hero battles ancient spirits, a covert government agency, and his own dark past in a race to solve a series of murders that could mean the end of the world.”

Smith’s new novel is  a sequel to Douglas’ award-winning novelette, “Spirit Dance”.

THE WOLF AT THE END OF THE WORLD will be published this summer and is available for pre-order. A special discount is being offered to readers of Amazing Stories (sign up for a free membership on site).

To read the excerpt and for more information about Douglas Smith and his award-winning fiction, please visit www.amazingstoriesmag.com/blog, or visit Douglas Smith’s website www.smithwriter.com.

Amazing Stories was re-launched in December of 2012 as a social network for fans of science fiction, fantasy and horror and features multiple daily blog posts written by the Amazing Blog Team, comprised of over 100 authors, artists, bloggers, editors and fans.  Blog posts cover the entire universe of subjects of interest to fans – literature, film, television, comics, anime, science, audio works, art, collecting, pulps, fandom and more.

With the release of Douglas Smith’s novel excerpt, Amazing Stories returns to the publication of fiction with an excerpt program.  Two excerpts of new works will be published every month; featured works will initially be drawn from among the Amazing Blog Team members but the program will eventually open up to outside submissions.

Amazing Stories excerpt program joins it’s already-in-progress Space Art feature, a bi-weekly showcase of space art contributed by the members of the International Association of Astronomical Artists.  

Membership in the Amazing Stories website is FREE.  Every new membership directly contributes to the return of Amazing Stories as a fully-fledged professional market for science fiction, fantasy and horror.


The Experimenter Publishing Company
Amazing Stories
http://www.amazingstoriesmag.com

Spring is in the Air

The weather is turning warmer; the trees are starting to bud; the wind is beginning to blow and bringing lots of dust with it.  I just want to go outside and enjoy with weather.  And a good book, of course.

Unfortunately, it being the time of spring that it is, or rather the point in the semester it is, I’m buried under a mountain of exams, approximately 150 of them, give or take a few.  So I’m not going to be able to read, write, or blog much.  At least not until the end of the week.  To tide you over, head over to Amazing Stories (TM) and check out my review of Under the Ember Star by Charles Gramlich.  If you like Leigh Brackett, this book should appeal to you.

Spring Break starts at the end of the week, and I intend to do some catching up then.  Until then, back to grading.

What I’ve Been Up to at My Other Blogging Gig

I thought I’d list the posts I’ve done over at the Amazing Stories (TM) blog.  I’ll probably do this every month or two in case something I’ve done there catches your eye.

I started out with “Opening Salvo” and “What I Mean When I Say“, both of which were intended to set the tone and the focus.  The former states I’ll be reviewing indie published and small press books, while the latter defined what I mean by terms like “indie published” and “self published”.

Then I started in on reviews.  The first, “Five Military SF Novellas by Five Authors” was a review of a project Kevin J. Anderson put together, Five by Five.  I followed it up by a review of Space Eldritch, “Dead Cosmonauts and Other Eldritch Horrors.”

Frogs in Aspic, Like a Box of Chocolates” was a review of the short story collection, Frogs in Aspic by Keith P. Graham.  Graham was an author I’d not read before this book.  I looked at a sword and sorcery novel next, Morticai’s Luck, in “Swashbuckling with Morticai“.

The two most recent posts both concerned Joshua P. Simon, whose work I’ve reviewed on this site, here and here.  “Three Military Fantasy Shorts” examined three shorter works that fill in some of the backstory in Simon’s Blood and Tears Trilogy.  Then, I followed the review up this week with “An Interview with Indie Author Joshua P. Simon“, which is just what it says it is.  I ask Mr. Simon a number of questions involving his work, how he got started writing, and what it’s like to be an indie author.

I’m tending to focus more on science fiction, since Amazing Stories started out as a science fiction magazine, but as you can see, I’ve included a number of fantasies. 

Check out what’s going on at Amazing Stories.  There’s a lot of great content being put up every day, and I’m not saying that because my name is on some of it.  I’ve gotten behind, so when spring break rolls around in a couple of weeks, I’m going to be playing catch-up.

Amazing Stories (TM) is Now Live

Hey, everyone.  The Amazing Stories (TM) blog is now live.  I’ve got several pieces up, with more to come on a weekly basis.  The link is Amazing Stories (TM) .  There’s a lot of great stuff over there, and I don’t mean the things I’ve posted.  There are posts about Robert E. Howard, fantasy, science fiction, writing short fiction, indie publishing, and tons more cool stuff.  So head over there and check it out.

What follows is the press release that should be on various media outlets today: 


Amazing Stories, the world’s first science fiction magazine, is now open to the public.

Social Magazine Website Offers Nearly Sixty Writers and Social Networking For Fans!
Experimenter Publishing Company
Hillsboro, NH
January 19, 2013
The Experimenter Publishing Company is pleased to announce the  reintroduction of the world’s most recognizable science fiction magazine – AMAZING STORIES!
Following the completion of a successful Beta Test begun on January 2nd, 2013, Amazing Stories is now open to the public.  Fans of science fiction, fantasy, and horror are invited to join and encouraged to participate in helping to bring back a cherished icon of the field.
For the past several weeks nearly sixty fans, authors, artists, editors and bloggers have been producing articles on your favorite subjects – the literature of SF/F/H, its presentations in media such as television, film, poetry, literature, games, comics and much more.
All contents of Amazing Stories are free to the general public. 
Membership is also free – and entitles members to participate in the discussion, share information and engage in many other familiar social networking activities.
Membership also represents a stake in helping Amazing Stories return to publication.  The more members the site acquires, the faster Amazing Stories can become a paying market for short fiction.
Every genre fan now has a chance to help support the creation of a new market for the stories, artwork and articles they all love so much.
To visit the site and obtain your free membership, go to AMAZING STORIES, and don’t forget to invite your friends too!

This reincarnation of Amazing Stories could not have happened without the generous support of Woodall Design LLC and the members of the Amazing Stories Blog Team:
Cenobyte, Karen G. Anderson, Mike Brotherton, Ricky L. Brown,
Michael A. Burstein, Catherine Coker, Johne Cook, Paul Cook, Gary Dalkin,
Jane Frank, Adria K. Fraser,  Jim Freund, Fran Friel, Adam Gaffen,
Chris Garcia, Chris Gerwel, Tommy Hancock, Liz Henderson, Samantha Henry,
M.D. Jackson, Monique Jacob, Geoffrey James, J. Jay Jones, Daniel M. Kimmel,
Peggy Kolm, Justin Landon, Andrew Liptak, Bob Lock, Melissa Lowery,
Barry Malzberg, C. E. Martin, Farrell J. McGovern, Steve Miller, Matt Mitrovich,
Aidan Moher, Kevin Murray, Ken Neth, Astrid Nielsch, D. Nicklin-Dunbar,
James Palmer, John Purcell, James Rogers, Felicity Savage, Diane Severson,
Steve H. Silver, J. Simpson, Douglas Smith, Lesley Smith, Bill Spangler,
Duane Spurlock, Michael J. Sullivan, G. W. Thomas, Erin Underwood,
Stephan Van Velzen, Cynthia Ward, Michael Webb, Keith West, John M. Whalen,
Karlo Yeager, Leah A. Zeldes
For more information about Amazing Stories, please contact the publisher at

Goals Followup + Amazing Stories

This post will be both a followup on the goals post plus an update on the status of things at Amazing Stories (TM).

First, I hit my writing goal of at least1500 words a week with 1664.  I’m counting a week starting with Sunday.  I wrote 311 last night before I had to stop and think about what comes next.  Not sure how much I’ll write in a few minutes.  I’m thinking of putting a little box up in the corner of the blog with the date I last wrote and word count in it.  If that information is there for all the world to see, I’ll be more motivated to write.  I think I can do that without everybody who follows the blog getting a notice each time it updates. 

Of course, things might be about to slow down.  I found out over the weekend there’s an unexpected vacancy in the department, and I’ll be teaching an additional course this semester.  I go back tomorrow, with classes starting next week, so I’m not in my routine yet.  My son went back to gymnastics tonight and starts back with diving tomorrow night, so once I get into a routine, I may be cursing those 1500 words.

My first post went live at Amazing Stories (TM) today.  The site is still in beta and not accessible to the general public yet.  It should be live for everyone in a week or so unless something unforeseen  happens.  All the posts that have gone up since Thursday, the first day they were up, will be available when the site opens to everyone.  I’m not sure if the present posts will be reposted with everything starting over from scratch or if they will be archived and new material will continue without interruption.  I’ll let you know when that decision is made.

My first post is about some of the changes in publishing and why I think small presses and indie published books are important, and the second will contain the terms I’ll be using and what I mean when I say them (as opposed to what someone else means with the same words).  Then I’ll start in on reviews.  The first is written and ready to go.  It will be a review of Five by Five.  The next review will be of Space Eldritch (which I’m reading now), followed by Frogs in Aspic.  After that is a little up in the air still.  I’ll have my own email address at Amazing Stories (TM).  It’s keith.west@amazingstoriesmag.com.  Once everything’s a go, I hope you’ll drop by and check it out.  And not just my stuff.  There’s some really cool things being posted.