Category Archives: Robert E. Howard

Report on Howard Days 2012

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The Robert E. Howard House

This had to be the best Howard Days I’ve attended, and from what others said, the best ever as far as the weather went.  Because of the recent rain, Friday I don’t think the temperature got out of the low 80s, and I’m not sure it got that high.  It felt more like April than June.  Saturday I think the high was in the low 90s, which is still April temperatures for this part of the world.  Today I came home to triple digits.  Welcome back to summer.

The theme this year was Conan’s 80th birthday.  Like many people, Conan was my gateway drug to Howard.  While I like all aspects of Howard’s work, Conan is still my favorite.  My wife had been sick the day before with the stomach bug from Mordor, so I waited until I was sure she was back on her feet before I took off Friday morning, running a few errands for her and going to the store.  I didn’t get there until after lunch, so I missed the tours and the morning panel, which was a tribute to the late Glenn Lord.  Here’s my take on what I was there for.

The first panel of Friday afternoon was Guest of Honor Charles Hoffman’s presentation of Conan the Existentialist.  This was followed by Paul Sammon, Al Harron, and Mark Finn discussing Conan’s Birthday.  When the panels were over, I hit the post office and picked up some postcards with this year’s cancellation.  Afterwards, I went back to the pavillion and hung out, visiting with friends until time for the dinner and silent auction.  There were fewer people in attendance this year.  Some of the regulars had various life issues, most of a medical nature, that prevented them from attending.  They were missed.  On the other hand, there were a number of new faces who will hopefully be returning.  The general attitude was it was an up year for that reason alone. 
l to r, Jeff Shanks, Mark Finn, Indy Cavalier, Al Harron trying to get out of the picture, Jay ?

Dinner was catered by The Staghorn Cafe, which makes some of the best chicken fried steak on the planet.  Amazingly, I won most of the items I bid on in the silent auction.  They were all low ticket items, cash being tight this year, but I still walked out with ten books, a comic, and a DVD for less than $30.  I stepped into the parking lot after dinner, got caught in a conversation, and missed some of the Robert E. Howard Foundation Awards. For that reason, I’ll not discuss them in depth.

An item that has become one of the most popular panels is “Fists at the Ice House”.  Started by Mark Finn and Chris Gruber, this year the panel was held after the awards.  The ice house was just what it sounds like, an ice house.  This was how ice was kept in the early twentieth century, and delivery carts went around every day.  You could buy ice and put it in your ice box, where the ice would keep perishable food cold.  Some older folks (your grandparents and great grandparents) may still refer to the refrigerator as the ice box, and that’s where the term comes from.  Ice houses also sold cold beverages, alcoholic and otherwise.  In Cross Plains, there was one ice house in the 1920s where young men would meet for beer and boxing.

Fists at the Ice House:  (l to r) Shanks, Finn, Gruber

Robert E. Howard was one of those men.  Mark Finn makes an excellent point:  If you want to understand Robert E. Howard the man, you need to understand his relationship with boxing.  Some of the first and last stories he sold were boxing stories, and he wrote them throughout his entire career.  Mark, Jeff, and Chris discussed this and read from Howard’s boxing works.  It was rather late when this panel broke up.  As much as I would have like to hung around, I had an hour drive to where I was staying, so I took off.

After buying a thank-you gift ofr my wife for letting me attend, I toured the house the next morning.  There are some new additions.  For one thing, a number of books from Howard’s personal library are on permanent loan from Howard Payne University.  Several of them are inscribed to Howard from his friends, including one from Edmund Hamilton.  I’ll put pictures at the end of this post.

The morning panels (held at the library) consisted of Shanks, Hoffman, and Finn discussing efforts to get academia to take Howard seriously and laying out a strategy for this to happen, and afternoon panels featured Paul Sammon giving a slide show on The Illustrated Conan.  As well as being a writer, Paul works in Hollywood, having been a key person on a number of movies such as Conan, Blade Runner, and Starship Troopers.  If you ever meet him, talk to him. He seems to know or have known everybody and tells some wonderful stories.  The final panel was What’s Happening with REH?, and discussed mostly forthcoming books (lots of boxing stories) and some information about movies (nothing major, at least that can be announced).  Then I viewed the collection of books, manuscripts, and pulps, many Weird Tales with Margaret Brundage covers.

Look what’s coming to dinner.

This year I got to go to the Legacy Circle members lunch hosted by the REH Foundation.  We nearly took over the Mexican restaurant.  The food was excellent.  So was the barbeque out at Caddo Peak Ranch that evening.  We did have a couple of uninvited guests, or as Paul McNamee called them in response to my tweeting, Set cultists everywhere.  I’m referring, of course, to the snakes.  The first was a copperhead which was only a few meters from the tables.  The other was a rattlesnake the coiled up beside the trail on the hike down from Caddo Peak.  I got a picture of both, but the rattler is hard to see in the picture.  It was coiled, about three feet long, and they can strike two thirds of their body length away.  My telephoto on the camera only does so much, and I wasn’t getting any closer.  Here’s the copperhead, though.

After eating delicious meal and watching the sunset, I went back to the pavilion.  Barabara Barrett organized an impromptu poetry reading on the steps of the house.  We took turns reading from the poetry books we had.  No one had the complete poems, so I didn’t get to read “A Song of the Naked Lands”, my favorite.  Dave Hardy had some homemade mead again, which was good, as always.  I visited a while, then hit the road, later than the night before.  It was one of the most enjoyable Howard Days I’ve been to.

What follows are photos I took this year, some with captions.  I’ll try to identify everyone I know; if I leave someone’s name off or get it wrong, I apologize.  No slight is intended.

Jeff Shanks with award
Bob’s Room (window view is painting; additional room to right was added later)

Bob’s Room (Mrs. Howard’s window is on left)
Volumes from Bob’s library
The library’s collection of original manuscripts

I love Margaret Brundage covers
View of East Caddo Peak from West Caddo Peak
More Margaret Brundage

A portion of the dinner party

Current and former REHupans
Sunset
Bill “Indy” Cavalier reading poetry

Rise and Fall Heralds the Rise of a Great New Fantasy Trilogy

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Rise and Fall:  Book One of the Blood and Tears Trilogy
Joshua P. Simon
Paperback $14.95
various ebook formats $2.99: Amazon  B&N Smashwords

Seeing as how he’s only published one novel and a few pieces of short fiction, it would be understandable if the name “Joshua P. Simon” were unfamiliar to you.  But if you’re smart, you’ll make note of it and remember it.  If you’re smarter, you’ll buy and read Rise and Fall.

In his author bio, Mr. Simon includes among his influences Robert E. Howard and Glen Cook’s Black Company.  Howard is one of my favorite authors, and the Black Company one of my favorite series.  By divulging this information, Mr. Simon set the bar of my expectations high.  Very high.  The question is, did he meet them?

The answer is “Yes, yes he did.”  While the influences of Howard and Cook are clearly seen by anyone familiar with the work of these gentlemen, Simon hasn’t simply imitated.  He’s taken their influence and made something his own.

The story opens with a mage wigging out and killing vast numbers of people.  Actually, this precedes the opening, which is when a group of mages arrive to deal with him.  The evil mage, Nareash, has acquired a lost artifact, Sacrymon’s Sceptor.  The sceptor increases his power, but it also seems to have made him more evil than he already was.  During the course of the battle, all of the mages are killed along with the king, who had been under Nareash’s control.

There are three principle characters in this novel.   Elyse is the princess who ascends to the throne after the death of her father.  Barely more than a girl herself, she is ill prepared for ruling, to say the least.  Yet she has no choice.  It’s time to grow up, and growing up won’t be easy, especially when several nobles decide to make a play for the kingdom.

Her older brother Jonrell ran away from home twelve years before to escape his father and joined the Hell Patrol, a notorious band of mercenaries.  Now he’s their commander.  After learning of the death of his father, he’s coming home.  And he’s bringing his mercenaries with him.

Tobin is the second son of the chieftain of the Blue Island Clan.  Hated by his brother Kaz, who was appointed Warleader by their father, Tobin is the laughing stock of the elite warriors, the Kifzo.  All he wants is to be accepted by his father.  (Most of the main characters in this novel have father issues.)  His fortunes begin to change when he rescues the shaman Nachun during a raid on a village.

The strength and power of this novel come from the way Simon handles the characters.  In addition to Jonrell, Elyse, Tobin, and Kaz, there are a number of secondary character whose viewpoints the reader gets to see.  Each of them is a real character, with good and bad traits.  The four characters I named in the previous sentence get most of the character development, and develop they do.  They all grow and change.  None of them are remotely the people they started out to be.

While Simon puts his characters through the fire, he doesn’t do it just to see how much pain he can cause them.  They experience joy as well as sorrow.  While pretty dark at times, this isn’t a novel of nihilism.  Instead I found it pretty balanced.

Much of the way Simon develops his characters is through their words.  There’s a difference between writing dialogue that reads like dialogue in a book and writing dialogue that reads like real people talking.  Joshua P. Simon writes the latter.  It’s what brings the characters to life and fleshes them out in this story.

But don’t think that all this book deals with is talking and relationships.  There’s plenty of action, from one-on-one conflicts to epic battles, with sieges and assassination attempts scattered about for good measure along with more than a dash of intrigue.  The supporting cast of the Hell Patrol get their moments, and each of them also changes and grows, most in good ways but some in not so good.  The pace of the battles, particularly as the book progresses is where the Howard influence shows the strongest. I’m glad one night I put the book down before one of the major battle scenes and forced myself to go to bed.  If I hadn’t, I would have been up way to late and then probably been too excited to sleep.

Not all of the characters come together before the end.  There are ultimately two main story arcs that will converge later in the trilogy, although one intersects the other in a way that completely surprised me.  Both arcs end with a twist.  And the twist contained in the final two sentences of the book?  Nicely done, Mr. Simon, nicely done.

A couple of other things I’d like to mention.  First, while I doubt this book was written with the intention of being a YA novel, I would have no problem giving it to someone in the YA or middle grade range, at least not on the grounds of content.  It might be a bit long for some younger readers.  The graphic sex and profanity that make some novels and series unsuitable for younger readers is missing, something I found refreshing after the previous book I read.  If you know a young reader whom you’d like to introduce to epic fantasy, this would be a great place to start.

The second thing that favorably impressed me was the role religion played in the book.  It was an integral part of the lives of many characters, especially Elyse.  The role of religion in pseudomedieval fantasy cultures was mentioned in a post by Theo over on Black Gate the other day as part of a discussion of historical authenticity in fantasy.  Theo has mentioned (more times than I’m willing to look up the links tonight) that one area that tends to get short shrift in modern fantasy is the role religion played in medieval times, objecting to the way it tends to be ignored.  I think he would approve of the way it’s portrayed here.

The only complaint I have was that there was no map.  I would have liked to have seen where Tobin’s home was in relation to Elyse’s.  I’m not sure the  lack of a map wasn’t intentional.  There are strong hints in places that Tobin and Elyse are separated in time as well as in space.  If that’s the case, it has some interesting implications.  I could be wrong.  Nachun says, in the scene in which he – no, I can’t go there.  It would spoil one of the major surprises.

Anyway, I expected I would enjoy this book when Mr. Simon asked if I would like a review copy, otherwise I would have declined to review it.  I didn’t expect to enjoy it as much as I did.  This has been one of the better books I’ve read over the last couple of months.  It’s another indie published book with fine production values: good cover art and copy, well formatted, interesting story.

Oh, and I lied.  There is one other complaint I have.  The second volume won’t be out for a few more months.  Check this one out.  You’ll be glad you did.

Blood and Thunder, Release 2.0

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Blood and Thunder
Mark Finn
The Robert E. Howard Foundation Press
$45 REHF members, $50 nonmembers, plus shipping

It’s been a few years since the first edition of this volume was published, and in that time Howard studies have moved forward, with new biographical material coming to light.  In fact, new biographical details  have continued to be unearthed since this edition went to press. That will probably (hopefully) continue for some time.

As he explained in the two part interview posted here last year (part 1, part 2), Mark Finn felt it was time for a second edition.  Rather than rehash his remarks, I’m going to get straight to the point and discuss the book.

Including the endnotes but not the bibliography and index, the book comes in at 426 pages.  It starts slow, giving family background information.  That’s typical in any biography, so please don’t take the previous sentence as negative.  That’s just the way it is.  The book is divided into four sections, same as in the previous edition, with some chapters being heavily rewritten and others hardly touched.  Again, not surprising or in any way atypical of many biographies that have new editions.

The book really took off for me in the second section, with the first chapter, “Authentic Liars”, discussing the oral storytelling tradition in which Howard grew up.  It’s the tradition of the porch raconteur, the spinner of tall tales, the person who mixes enough truth into his words that you’re never really sure at which point he begins pulling your leg.  It’s also a tradition that is vanishing, and in many parts of the country, lost.

This chapter sets the tone for much of what follows.  Finn’s central thesis, or one of them at least, is that to understand Howard, one must understand the Texas in which he grew up.  It’s a valid point, and one which is easy to overlook.  With many of the traditions and values of the time being passed down relatively unchanged, we often forget how much has changed.

While this concept was central to the first edition of the book, Finn has expanded on it.  What’s fairly new, and in my opinion of major importance to future Howard studies, is Finn’s assertion that an understanding of Howard’s humor is required to truly understand the man and his work.  This is in my opinion one of the strengths of the second edition.  I’ve never gotten into Howard’s humor.  After reading the new material on his humorous stories, and reading again about how those stories fit in with the tall lying tradition, I’m going to be seeking them out.  There’s a lot there I’ve been missing.

Finn tries his best to avoid the excesses of arm chair psychoanalysis engaged in by L. Sprague de Camp in Dark Valley Destiny.  In many ways this book was written as a refutation of that biography.  Fans of de Camp, and of DVD in particular, won’t be pleased with what they find here.  While some interpretation of how events in Howard’s life showed up in his work is inevitable in any study of the man, Finn walks a delicate line between projecting his own agenda and biases on his subject and erring on the side of caution too much by not offering any interpretations at all.  For the most part, I think he’s successful.  He tries to delineate what are his opinions and what are facts.

By the time I turned the last page, I had a new understanding of Robert E. Howard the man.  While I had always pictured him as someone who wanted to fit in, some of the details had been filled in.  Hopefully I’m not merely projecting my own experiences growing up in a similar small Texas town nearby onto what I read.  Finn  quotes from Howard’s correspondence (collected in three volumes by the REHF Press), especially his correspondence with H. P. Lovecraft (collected in two volumes by Hippocampus Press).  I’ve got these volumes but haven’t finished reading them.  I will, if for no other reason than I want to understand better the different facets of his personality Howard presented in his correspondence.

Never one to shy away from controversy, Finn has expanded his remarks on Conan.  Rather than get into Conan here, I’ll just say that he thinks “Queen of the Black Coast” isn’t one of Howard’s best Conan tales.  While I’ve not posted anything new in my series on Conan (see links in the sidebar) in a while due to other projects, I’ve not given up on the series and will save my remarks for upcoming installments. 

I do have a few gripes about the book overall, though nothing major.  At the front is a map of West Central Texas during Howard’s time, showing the roads.  Mark told me at ConDFW last weekend that he had pieced the map together from several maps and had removed more than one road that didn’t exist in Howard’s lifetime by hand.  He missed one major highway, though:  Interstate 20.  The interstates weren’t built until a couple of decades after Howard’s death.  This might seem to be a minor thing, but it does call into question the accuracy of the rest of the map.  For what it’s worth, the interstate is near the top in the middle of a number of other highways (I used a magnifying glass to confirm it was there), and thus easy to miss.  I personally don’t think it’s a huge deal.

A map of Cross Plains during Howard’s lifetime would have been nice, though.  Surely it wouldn’t have been too difficult to obtain one.  I was also disappointed in the number of photos.  Each chapter opens with a photo.  There’s no section of photographs, and some of the more famous ones are missing.  Primarily on this point, there’s no photo of Novalyne Price.  I’m not that crazy with the one on the cover, either.  In fairness, I realize that copyright issues probably prevented Finn from including some of the photos most readers might expect.  Also, more pictures of Cross Plains in the 20s and 30s would have been a nice touch.  And I’ve never seen a drawing or map of the Howard property at the time of his death.  Where was the car parked?  Was it outside or in a garage?  Did they even have a garage?  Also, Howard took to wearing a mustache near the end of his life.  Did he still have it when he died?  It’s clearly visible in the last known photo of him (included in the book).

Overall, though, this a major work.  Howard scholarship and fandom are contentious enough that it would be easy to stoop to the level of picking nits (which I’m sure some will say the preceding two paragraphs did).  Finn has set the standard here by which future biographical projects will be measured.  By examining the cultural influences on Howard, Finn has expanded the avenues by which scholars can approach their subject.  I would like to see further analysis of Howard’s humor for example.  Still, this is a volume that belongs in the library of any serious fan of Texas literature, Robert E. Howard, or the pulps.

Publications from the REHF Press tend to be priced out of the range of the casual fan.  The production values make them worth the money, and the limited print runs mean if you want a copy, don’t wait.  While popular titles go through more than one printing, not all of them do.  While I have every expectation this one will see a second printing, they take time.  If you want a copy, grab one now.

Dunsany’s Heir

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The New Death and Others
James Hutchings
0.99, various ebook formats (Kindle)(Smashwords-various formats)

About one hundred years ago or so, give or take a decade, there was a fantasy writer named Lord Dunsany.  Some of you may have heard of him.  He wrote a couple of novels, but most of his reputation was built on short stories, many of them about a chap named Jorkens who had all sorts of fantastical adventures.  Other stories, though, the ones that weren’t about Mr. Jorkens, ah, those were a delight.  They were often brief, what would be referred to today short-shorts.  Dunsany was known for his irony and wit.  And while writers who wrote witty, ironic tales, often about chaps who have fantastical adventures, have continued to this day, none have mastered the short-short the way Dunsany did, certainly none with his bite.

Until now.  James Hutchings has taken up that mantle, and he wears it well.  The New Death and Others contains 44 short stories and 19 poems.  And to quote from the promotional copy, there are no sparkly vampires.

Usually in these reviews, I give a run down of the stories, listing them and perhaps saying a thing or two about them.  I won’t do that here.  Not with 44 stories, some of them only about a page in length.  Instead, I’ll try to give you a feel for the book.  For starters, this is the second book I’ve read in the last couple of weeks that made me laugh out loud.  (The first was Giant Thief.) The humor is wry, ironic, and at times biting.  I loved it.

Oh, and puns.  Did I mention puns?  There are number of them.  One example, in “Sigrun and the Shepherd” unkind shepherds are sent to angora management classes.  There are more where that came from; “The Adventure of the Murdered Philanthropist” is a Sherlock Holmes spoof that contains a whole string of them.  Now, there are those who say the pun is the lowest form of wit.  You need to remember that these people only say that because they aren’t clever enough to think of puns themselves.

Four of the poems are retellings of fantasy stories by famous authors, one each by Lovecraft, Howard, Smith and the aforementioned Dunsany.  And they’re good.  I haven’t read all the originals, but the Howard poem, based on “The Mirrors of Tuzun Thune“, captures the spirit of the original exceedingly well.

In fact all of the poems, whether short or long, are worth reading.  These poems have rhyme and meter, and more than once I found their cadences echoing through my mind after I had finished them.

Many of the stories concern the fiction city of Telelee.  (This is a different spelling than the author has on his blog, but I checked the book to make sure.)  These are among the most Dunsany-esque tales in the book.  Telelee is an imaginary city in a world that never was.  Every story (and poem) set there was different, exotic, and fascinating.  I want to visit this world many times.

Don’t think, though, that Hutchings has merely recycled old tropes.  While his love and respect for the source material he draws on is evident, these are stories for the twenty-first century.  Many of the puns and jokes would have been incomprehensible to Dunsany, Howard, or Lovecraft.  Computers and modern technology appear frequently, and a number of the stories are set in present day.  Huthcings has built on what has come before, paid homage to it, and expanded it.  In doing so, he has made this style of writing his own.

One final word regarding the production values of the book.  This is one of the most professional ebooks I’ve seen in a long time.  Certainly more professional than the last ebook I read from a major publisher.  I don’t recall any formatting errors.  There is a fully interactive ToC, which worked every time I used it.  Hutchings has clearly put the time and effort in to produce a superior book in terms of production values.  And the cover fits the book to a “T”.  At ninety-nine cents, it’s a bargain at twice the price.  (No, James, I’m not sending you more money.)

I’ve somehow found myself with a pretty heavy reviewing slate.  Enough to keep me reading for the next six months.  I’ve got half a dozen books I’m committed to review, either to individual authors who have requested reviews or to publishers who have been kind enough to send review copies.  That’s not a bad situation to be in mot of the time, but if I’m not careful, the commitments can take the fun out of reading and make it seem like homework.  The New Death reminded me why I started doing this in the first place.  The humor and exotic settings were a breath of fresh air.  Many of the stories and poems are, like I mentioned, only about a page in length.  This is the perfect book to read when you only have a minute or three.  I recommend the book highly and will be following Hutchings’ blog from now on.

Happy Birthday, Robert E. Howard

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Today is the 106th year since the birth of Robert E. Howard.  (Yeah, I know the local time is still January 21, but by the time most of you read this, it will be the 22nd.  Besides, it’s the 22nd east of here.)  I’m not sure what I could say that would do the man justice that others haven’t already said and said better.  After last summer’s disastrous Conan movie, those of us who champion Howard’s work as literature probably have a harder row to hoe overcoming the (at best) misguided notion that his writing is hackwork.  If you are only familiar with Conan through the movie(s), pastiches, or comics, read some of the real thing.  And then read some of Howard’s other writings:  Kull, the horror stories, the historicals, the westerns, the boxing stories, the poetry.  And raise a glass in his honor.  Me, I’m going to celebrate by reading some of the spicy stories. 

More Glenn Lord Tributes

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Here are some more Glenn Lord Tributes that have gone up in the last few days:

Funeral arrangements have been posted on the REHupa site.

Barbara Barrett and John O’Neill; Glenn Lord, Nov 17, 1931 – Dec 31, 2011

Mike Chomko; Glenn Lord:  Another Giant Passes

Frank Coffman; On the Passing of Glenn Lord

Chris Gruber; Glenn Lord, Howardian Herald, 1931-2011

Dave Hardy; Glenn Lord 1931-2011

Al Harron; Glenn Lord, the Greatest Howard Fan, 1931-2011

Don Herron;  Two-Gun Bob: Into the West

Brian Leno; Edited by Glenn Lord

Damon Sasser; Glenn Lord: The Flame of Howard Fandom

Damon Sasser; In Memoriam, Glenn Lord  This one has links to several items of interest, including a interview with Glenn.

RIP, Glenn Lord

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Several Robert E. Howard related websites and blogs are reporting that Glenn Lord (1931-2011) passed away sometime yesterday, New Year’s Eve.  In case some of you don’t recognize the name, Glenn Lord was the person most responsible for helping to get Conan and Howard’s other work back  into print in the 1960s and 1970s.  I only met Glenn a couple of times and never really knew him.  By the time I became active in Howard fandom, Glenn wasn’t attending many Howard Days, at least that I can recall.  There’s nothing I can say that those who knew him well can’t say better.  There really hasn’t been time for any lenngthy tributes to be written (you can’t rush that type of writing), by read these brief tributes and announcements by Mark Finn, Damon Sasser, James Reasoner, Al Harron, and check the REHupa site periodically for more information.  Glenn touched many people in a significant way, and as tributes are posted over the next few days, I’ll provide links to all the ones I see.
Sigh.  I really didn’t want to start 2012 with this type of post.

One Final Robert E. Howard Anniversary This Year

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Cross Plains Universe
Scott A. Cupp and Joe R. Lansdale, ed.
Monkey Brain Books
296 p.
Given free to attendees of the 2006 World Fantasy Convention

In all the hubbub earlier this year about all the anniversaries related to Robert E. Howard, one seems to have been overlooked.  This year marked the fifth anniversary of the publication of Cross Plains Universe, an anthology put together to mark the Robert E. Howard centennial as well as the 30th anniversary of Lone Star Universe, an anthology of Texas writers. 

Now as anniversaries go, the fifth isn’t all that big a deal unless you forget and your wife has to remind you.  (Can I get an “Amen” from the brethren?)  Also, this book was never made for sale to the general public, at least as far as I know.  If you weren’t able to attend the 2006 World Fantasy Convention in Austin or one of the following Howard Days, where the book was made available in the gift shop, you probably haven’t seen a copy.  I’d even wager that many of you might not be aware of its existence. 

If you are able to score a copy, do so.  It’s worth your while.  A brief perusal of the contents will show you why.

After an introduction by Scott Cupp, Ardath Mayhar leads off the stories with “The Pillar in the Mist”, the tale of a young Briton who has to prove his prowess as a warrior on the moors one night.  Rick Klaw and Paul O. Miles give an interesting alternate history take on the pulps in “A Penny a Word”, while in “Slim and Swede and the Damned Dead Horse:  A Tale of Bloodson” C. Dean Anderson mixes two of Howard’s favorite genres, western and sword and sorcery.  Bradley Denton provides poetry in “The King Comes to Texas.”  Howard is resurrected from the grave in “An Excerpt from The Stone of Namirha” by Bill Crider and Charlotte Laughlin.  “Two Hearts in Zamora” by Jessica Reisman is the story of a pair of girls who find themselves in a dangerous land.  Co-editor Scott Cupp provides a weird western with “One Fang”.

l. to r., Cupp, Reasoner, Crider, Lansdale

One of Saddam Hussein’s sons meets an end not seen on the evening news in “The Bunker of the Tikriti” by Chris Nakashima-Brown.  Gene Wolfe tells the tale of “Six From Atlantis”, while Mark Finn lets us know why a Conan movie wasn’t made in the early 70s in “A Whim of Circumstance”.  James Reasoner’s contribution is a twisty El Borak story, “Wolves of the Mountains”.  The incomparable Howard Waldrop tells what happens when some seniors make a trip across the border in “Thin, on the Ground”.  Grandchildren learn about their grandmother’s encounter with a warrior king in Carrie Richerson’s “The Warrior and the King”.  Lillian Stewart Carl provides a historical adventure in “The Diamons of Golkonda” while “Prince Koindrinda Escapes” is an alternate history tale with giant apes from Jayme Lynn Blashke.

L. J. Washburn tells how a young Bob Howard helps solve a murder in Cross Plains during the oil boom with “Boomtown Bandits”.  Chris Roberson’s “The Jewel of Leystall” is an installment in his Paragaea series, and very much in the vein of Howard.  Neal Barrett, Jr. tells a tall tale in “The Heart”, while Lawrence Person explains why you don’t mess with “The Toughest Jew in the West”.  “The Sea of Grass on the Day of Wings” by Melissa Mia Hall is a meditation on Howard’s final hours.  Finally, Michael Moorcock gives us the story of Ronan the Red Archer in “The Roaming Forest”.

As you can tell, the contents of this anthology are quite varied, with stories told in the style of Howard, using new characters, characters and settings previously created by the contributors, Howard’s characters, and even Howard himself.  All of the contributors are from Texas or resided there at the time of writing, which is why some of the names may not be familiar to you. 

ABE currently shows 11 copies available with prices ranging from a steal to a gouge.  One thing to keep in mind, though, is that unsigned copies of this book are rare.  With the exception of Gene Wolfe and L.J. Washburn, all the contributors, including artist Gary Gianni, were at the WFC and participated in the mass signing, and Washburn sent signed bookmarks with her husband James Reasoner.  Before you buy a copy online, check to make sure you’re getting a signed copy.