John Seery-Lester’s Safari Paintings

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Cover Painting for Legends of the Hunt

Jim Cornelius had a new post this evening over at Frontier Partisans.  It featured a link to the safari art of John Seery-Lester.  These are paintings of classic safaris, many of them based on actual safaris.  Teddy Roosevelt is prominently featured in some of them.  The paintings brought back my boyhood dreams of going on safari.  If this is something that might be of interest to you, check it out.  If you really like his work, there’s a link to order a collection of John’s paintings.

Battlepug to be Collected by Dark Horse

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For just over a year now, Mike Norton has been writing a weekly webcomic, Battlepug.  With Allen Passalaqua and Crank assisting on the artwork, it’s a unique blend of a Conan-like barbarian and giant animals.  I just discovered it today.  I’m still trying to decide if it works for me, but I like the visuals and the framing story.  With weekly installments, it took a while for the story to really get going, but it seems to be picking up steam.  Norton is beginning to flesh out the background and add supporting characters.  Dark Horse recently announced it would collect the first year, to be published in July.  Anyway, I thought I’d mention it in case some of you who aren’t aware of it might be interested.

New Links to Reviews of Small Press and Indie Books

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It seems I’m running perpetually behind these days.  I’ve been intending to put links to all the reviews I’ve done of indie and small press books in the sidebar.  Tonight I finally got around to it.  You’ll find it just above all the other links to posts on various topics.  I’ve included links to some essays (rants?) as well.  The links are grouped by broad category, either fantasy/adventure or science fiction.  One of the reviews I did for a different site.  I thought about creating a separate list for YA books, but for now I’m going to group them in with whichever category they best fit. 

I’ve got a number of indie published books in the queue to review, if I can ever get to them.  That perpetually behind thing again.  Right now I’m reading Mark Finn’s revised biography of Robert E. Howard.  Or at least trying to; daily life things keep getting in the way.  I hope to have the review done by the time I go to ConDFW next weekend.  Anyway, I intend to review a great many more indie published work over the course of the year.  Some of the most exciting work seems to be published by indie writers these days, and I intend to share as much of it as I can with you.

Now, back to trying to get some reading done.

Watchmen Prequels – You’ve Got to be Kidding

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I wasn’t exactly thrilled with the announcement the other day that DC Comics is going to be publishing prequels focusing on the characters in the Watchmen, the legendary and ground breaking series from the 1980s written by Alan Moore and drawn by Dave Gibbons.  I was a huge fan of the series, buying them as they came out.  A sophomore in college who for the first time lived near a direct sales comics outlet, the complexity of storytelling really rocked my world.

I don’t see an need for prequels, especially not if Alan Moore isn’t going to be involved.  And given the history between him and DC, I expected pigs to fly before that happens.

Other than the occasional graphic novel or collections, I haven’t followed comics closely in a number of years, mostly due to time, money, and space concerns, but lately I’ve considered picking the habit back up, at least in electronic format.  I’m only familiar with a few of the people working on the various projects in the Watchmen prequels.  I do respect the ones I’m familiar with, but none of them will be enough to entice me to buy these comics.

There are other issues at play here, though, besides should a self-contained story be added to.  Depending on who you listen to, Alan Moore was cheated out of the rights to his creation.  Or not.  Over at Black Gate, Matthew David Surridge has summarized the situation, using extensive quotes as well as his own opinions.  If you’re a comics fan and haven’t seen it already, it’s worth a read.

Dunsany’s Heir

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The New Death and Others
James Hutchings
0.99, various ebook formats (Kindle)(Smashwords-various formats)

About one hundred years ago or so, give or take a decade, there was a fantasy writer named Lord Dunsany.  Some of you may have heard of him.  He wrote a couple of novels, but most of his reputation was built on short stories, many of them about a chap named Jorkens who had all sorts of fantastical adventures.  Other stories, though, the ones that weren’t about Mr. Jorkens, ah, those were a delight.  They were often brief, what would be referred to today short-shorts.  Dunsany was known for his irony and wit.  And while writers who wrote witty, ironic tales, often about chaps who have fantastical adventures, have continued to this day, none have mastered the short-short the way Dunsany did, certainly none with his bite.

Until now.  James Hutchings has taken up that mantle, and he wears it well.  The New Death and Others contains 44 short stories and 19 poems.  And to quote from the promotional copy, there are no sparkly vampires.

Usually in these reviews, I give a run down of the stories, listing them and perhaps saying a thing or two about them.  I won’t do that here.  Not with 44 stories, some of them only about a page in length.  Instead, I’ll try to give you a feel for the book.  For starters, this is the second book I’ve read in the last couple of weeks that made me laugh out loud.  (The first was Giant Thief.) The humor is wry, ironic, and at times biting.  I loved it.

Oh, and puns.  Did I mention puns?  There are number of them.  One example, in “Sigrun and the Shepherd” unkind shepherds are sent to angora management classes.  There are more where that came from; “The Adventure of the Murdered Philanthropist” is a Sherlock Holmes spoof that contains a whole string of them.  Now, there are those who say the pun is the lowest form of wit.  You need to remember that these people only say that because they aren’t clever enough to think of puns themselves.

Four of the poems are retellings of fantasy stories by famous authors, one each by Lovecraft, Howard, Smith and the aforementioned Dunsany.  And they’re good.  I haven’t read all the originals, but the Howard poem, based on “The Mirrors of Tuzun Thune“, captures the spirit of the original exceedingly well.

In fact all of the poems, whether short or long, are worth reading.  These poems have rhyme and meter, and more than once I found their cadences echoing through my mind after I had finished them.

Many of the stories concern the fiction city of Telelee.  (This is a different spelling than the author has on his blog, but I checked the book to make sure.)  These are among the most Dunsany-esque tales in the book.  Telelee is an imaginary city in a world that never was.  Every story (and poem) set there was different, exotic, and fascinating.  I want to visit this world many times.

Don’t think, though, that Hutchings has merely recycled old tropes.  While his love and respect for the source material he draws on is evident, these are stories for the twenty-first century.  Many of the puns and jokes would have been incomprehensible to Dunsany, Howard, or Lovecraft.  Computers and modern technology appear frequently, and a number of the stories are set in present day.  Huthcings has built on what has come before, paid homage to it, and expanded it.  In doing so, he has made this style of writing his own.

One final word regarding the production values of the book.  This is one of the most professional ebooks I’ve seen in a long time.  Certainly more professional than the last ebook I read from a major publisher.  I don’t recall any formatting errors.  There is a fully interactive ToC, which worked every time I used it.  Hutchings has clearly put the time and effort in to produce a superior book in terms of production values.  And the cover fits the book to a “T”.  At ninety-nine cents, it’s a bargain at twice the price.  (No, James, I’m not sending you more money.)

I’ve somehow found myself with a pretty heavy reviewing slate.  Enough to keep me reading for the next six months.  I’ve got half a dozen books I’m committed to review, either to individual authors who have requested reviews or to publishers who have been kind enough to send review copies.  That’s not a bad situation to be in mot of the time, but if I’m not careful, the commitments can take the fun out of reading and make it seem like homework.  The New Death reminded me why I started doing this in the first place.  The humor and exotic settings were a breath of fresh air.  Many of the stories and poems are, like I mentioned, only about a page in length.  This is the perfect book to read when you only have a minute or three.  I recommend the book highly and will be following Hutchings’ blog from now on.

RIP, Ardath Mayhar

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Ardath Mayhar, not afraid to use computer or gun

Martha Wells posted a notice on her blog a few minutes ago that Joe Lansdale is reporting Ardath Mayhar has passed away.  Mayhar was an SF/F author and SFWA Author Emeritus.  She was probably best known for her novel Golden Dream:  A Fuzzy Odyssey, one of several sequels to H. Beam Piper’s Fuzzy series. 

I don’t have any details other than what I’ve written above.  When more details become available, I’ll post them here.

I met Ardath a few times over the years at different Texas conventions.  I don’t recall all of them; the ones in the 90s are a little vague.  The first clear memory is when she attended the first Fencon in 2004, although I know I had met her previously.   She may have been at one or two other Fencons.  I hope there will be a memorial for her at this year’s event.

Ardath was a short, stocky lady who wore her hair in a tight bun, looking every bit like someone’s sweet grandmother.  She often had knitting in her hands, I suspect in part because the needles could be used as weapons.  For a while she allegedly carried a gun in her purse.  I don’t know if she ever actually did, but it would be consistent with her personality and makes a good story, true or not.  Ardath was the embodiment of feisty.  Until she was physically unable to do so, she would go for walks in the snake infested woods near where she lived in East Texas. 

Ardath was a blast to talk to.  The last time I saw Ardath was at the 2007 Nebula Awards in Austin, Texas, where she was awarded the title of Author Emeritus.  I sat in the lobby with several others and visited with her, mostly just listening.  I knew it was a rare opportunity I was unlikely to ever have again.  Someone else later voiced the same thought. 

Aradath Mayhar was the type of character we don’t have enough of these days.  She was also an accomplished writer.  I have several of her fantasy novels I’ve never gotten around to reading, in addition to the things I have read.  I may discuss one of them here later this year.

Why It’s not Wise to Steal a Giant

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Giant Thief
David Tallerman
Angry Robot Books
mmpb, 416 pp, $7.99 US/$8.99 CAN
416 pp, B format ppb, L7.99 UK/RoW
various ebook formats

With his debut novel, David Tallerman has succeeded in doing what few authors have done.  He has written a story (novel, short story, length doesn’t matter) that made me laugh out loud.  Well, it was more of a chuckle, actually.  But it happened more that once.  Do you have any idea how hard it is to make me laugh while I’m reading, even if I think the story is funny?

I don’t why that is; it just is.  Tallerman pulled it off.  That puts him squarely on my list of authors to read.

Now don’t get the idea that Giant Thief is a humorous novel, such as those written by Tom Holt or Terry Pratchett.  It’s a pretty serious story.  It’s hard to make sudden murder and mass slaughter funny.

The story starts off like this:

Easie Damasco is a compulsive thief.  When the book opens, the soldiers he’s been caught stealing from are discussing the best way to kill him.  They decide on hanging, but before he can expire, the invading warlord, Moaradrid, happens along and orders him cut down.  Rather than waste cannon fodder, he conscripts Damasco into his army.  The same army that’s invading Damasco’s home country.

Now he’s likely to die fighting against his own countrymen rather than at the end of a rope.  Moaradrid has somehow managed to get the Giants to fight for him, something the opposing army doesn’t know yet.  During the battle, the handler of a Giant named Saltlick is killed.  Damasco’s commander orders him to take control of the Giant, which is done by riding on a harness strapped to the Giant’s back.  Then the commander expires of his wounds.

Damasco decides the best course of action is to take Saltlick and flee.  Saltlick is in favor of this idea, especially once Damasco promises him he won’t have to fight again.  Seems the Giants are natural pacifists.

Of course Damasco can’t leave well enough alone.  He has to try for a big score, and manages to steal a small purse from Moaradrid’s tent.  So what’s a kleptomaniac to do once he’s swiped a valuable purse and a conscientious objector?  Head for the hills, in this case literally.

Escaping isn’t as easy as Easie thinks it will be.  There are people waiting for him when he returns to the nearest city.  And there’s more in the purse of value than a few coins.  Damasco finds himself in the center of a battle, both of steel and of wills, for control of what’s in that bag.

If you’re wondering by this point, where’s the humor in all this, it’s mostly at the beginning of the novel.  Things get increasingly grim as the story progresses.

Oh, you mean in the situation.  Do you remember that kid in junior high school (or middle school, if you prefer), the one who constantly had a wise-ass remark on the tip of his tongue and never seemed to take anything seriously?  That’s Easie Damasco.  He’s always got a quip, a happy-go-lucky yet cynical view of things.  It was this sort of humor that made me laugh.  I realize humor is subjective, and this form might not appeal to everyone, but for me it worked.

Damasco also has an unbelievable talent for rationalization and self-justification, traits that constantly land him in trouble.  No wonder there’s a price on his head in one of the cities he and his companions visit.  And he is incapable of keeping his sticky fingers to himself.

Not that this stops him from growing a conscience.  He does begin to see how his actions hurt others, although in fairness to him, there are plenty of people using him for their own purposes.  A mayor, a crime lord, a prince, and a guard captain.  No one is completely without sin in this story.

And it’s a good story, one worth reading.  There are passages where Tallerman captures the interaction between characters like an accomplished pro.  When Mayor Estrada whispers to Damasco the reason she needs him in the war, and her response when he asks her to repeat herself is to yell the reason, Tallerman captured the guilt and conflicted emotion of a decent and honorable person forced to do something dishonorable for the greater good.  It was one of the most effective scenes for me, and it wasn’t the only scene like this.  Tallerman is clearly a good writer, but there are glimpses of greater talent still in development throughout the novel. He’s only gong to get better.

It would be tempting for Tallerman to have a romance develop between Damasco and Estrada.  While that may yet happen in a future installment of this series, Tallerman took the more difficult and thus more rewarding course and refrained.

Another thing Tallerman did well was explain the geography.  I still got turned around as to where places were in relation to each other.  A map would have been nice.  My copy is an eARC, so there might be a map in the final edition.  If not, that’s something Angry Robot might want to consider for the sequel.

David Tallerman is not an author with whom I was familiar before reading this book.  In fact I’d never heard of him. I’d be willing to be his name will become more prominent if he writes more books like this one.  I’ll be looking forward to the sequel, but in the meantime, I’ll be hunting up his short stories.

Franzen Says Ebooks not for Serious Readers

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Literary author Jonathan Franzen says that ebooks aren’t for serious readers.  You can read  his comments here.

As a person who considers himself a serious reader, I take great offense at these remarks.  The medium through which a person chooses to read, whether paper, electronic, or (as in my case) a combination of both, is in no way a reflection of whether that person is a “serious reader”. 

Of course, Mr. Franzen doesn’t define what a “serious reader” is.  Is it someone who places a high priority on reading and buys numerous books every year or month or in some cases every week?  Or perhaps it’s a person who only reads serious Literature?  (Capitalization mine.)  

Aside from the brain-dead connection Mr. Franzen tries to make between paper books and responsible self-government, his remarks show just how out of step he is with vast numbers of readers, both here in America as well as other parts of the world.  Franzen is a darling of the literati, those arbiters of taste and snobbery, most of whom wouldn’t deign to read genre fiction.  At least not in public.  Franzen clearly seems to share this elitist view, despite the fact that his books are available in electronic editions.  He states that paper books provide a level of permanence.  He’s also gone on record saying that “It’s doubtful that anyone with an internet connection at his workplace is writing good fiction.”  I strongly beg to differ, but good fiction is in the eye of the beholder.

Still, I doubt Franzen would recognize good fiction if it bit him in the ass. 

Of course, Franzen’s remarks illustrate one of the results of a recent survey by Verso Digital.  Among their findings was that resistance to ereaders is growing, even among avid readers.  If I’m understanding the survey correctly, the resistance is from people who have never been inclined to read on an ereader.  Frankly, I don’t care what format you choose for reading.  Just don’t take a condescending attitude toward those of us who don’t choose the same as you.

Franzen also says that if printed books become obsolete, he’s glad he won’t live long enough to see it.  Given his attitude, I find it hard to disagree with that statement.  In the meantime, I’m going to read some good indie fiction.

On my ereader.

Happy Birthday, C. L. Moore

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Moore with husband Kuttner

Today marks the 101st anniversary of the birth of C. L. Moore.  Moore was an innovative writer who got her start in Weird Tales with the classic story “Shambleau”, which introduced the Han Solo prototype Northwest Smith.  She also created Jirel of Joiry, one of the pioneering heroines of sword and sorcery.  After her marriage to Henry Kuttner, most of her output was collaborative and mainly science fiction.

I wrote a more extensive tribute last year, albeit a day late. I’ll not repeat myself this year, except to say, go read her.  Right now.  Turn off the computer, put down the tablet, and go read her.  Okay, you can leave the tablet on if you download one of her stories.  She’s too important a figure in the field to be forgotten.  While I’m sure others have written tributes today, I haven’t seen any.  Of course the best tribute you can pay authors is to read their works.