One of the themes of the blog this year has been bringing attention to writers who have faded into obscurity and whose work has been forgotten. No other writer fits this description more than Carolynn Catherine O’Shea. Even many of the most knowledgeable pulp scholars know little about her. When I asked Mark Finn for information while researching this article, he told me he had never heard of her. That was when I knew I had my work cut out for me.
Lynn, as she preferred to be called, knew (and in some cases worked with) many of the major writers of the pulp era, and was an accomplished author herself. This was before she became a screenwriter in Hollywood. Blacklisted in the early 1950s, she turned to writng crime novels under a variety of male psuedonyms. Later in her life, she took bit parts in movies and television shows before withdrawing completely.
Unfortunately, hard facts about her life and writing are scarce and are mixed with a great deal of conjecture. I’ll try to separate the reality from the myths in this post. I’ll start with the facts I’ve been able to verify and then deal with the conjecture. I’ll list all my sources at the end of the post. Continue reading