Tag Archives: John Bullard

Merritt’s The Ship of Ishtar: A Guest Post by John Bullard

The Ship of Ishtar: 100 Years of a An Influential Fantasy Masterpiece

A Guest Post by John Bullard, with assistance from Deuce Richardson.

If you have never read, or heard of A. Merritt’s The Ship of Ishtar, then you are in luck. On the centennial anniversary of its first publication, November 8, a new, definitive printing of it by DMR books will be available to buy in paperback or digital form (Centennial Edition of A. Merritt’s Ship of Ishtar Coming in November — DMR Books ).

Merritt was one of the founding fathers in America during the 1910’s and 20’s of fantasy literature. He was incredibly popular and successful, so much so that after his death, a pulp magazine was named after him: A. Merritt’s Fantasy Magazine.

The Ship of Ishtar is considered to be Merritt’s greatest fantasy work. The story concerns the adventures of an American, John Kenton, who is a member of the Lost Generation after surviving World War I.

He funded the archaeological dig of Forsyth, an archaeologist friend of his doing an excavation in Iraq on Mesopotamian and Babylonian sites. Kenton was unable to go on the dig as America entered the War and he patriotically joined the army instead.

After being wounded and sent home, Kenton is aimless and restless until Forsyth sends him a block of stone from the dig to examine. As Kenton is  inspecting the stone, he strikes it with his hand in frustration, and breaks the stone open to reveal a magnificent ship model that appears to come alive before his eyes. Magically he is transported to the ship and becomes embroiled in the never-ending battle between the Sumerian deities, Ishtar and Nergal as embodied in the two forces occupying the ship.

The side of Ishtar is led by one of her priestesses, the beautiful Sharane, while Nergal’s group is commanded by his priest, Klaneth. The ship is divided in the middle with Ishtar’s bow side a brilliant white ivory and Nergal’s stern side a dark black. The amidship is a magical boundary which neither side can cross except when their two leaders see each other and can physically attack each other, being the only two that can make contact at that time.

The battle started when the high priests of Ishtar and Nergal, Zarpanit and Alusar, fell in love, in violation of their respective god’s wishes, and were condemned to live in a timeless, pocket universe on the ship with their assistant priests, Sharane and Klaneth, and some followers, on an endless voyage where whenever the two lovers saw each other on the ship, they would become possessed by Ishtar and Nergal and attack each other until the priests’ love for each other is replaced by sheer hatred and revulsion.

Zarpanit and Alusar eventually died, only to have their places taken over by Sharane and Klaneth. Kenton, not being a member of either religion, and a man from the modern world, has the ability to cross through the barrier on the ship, and each side tries to use him to win the battle.

Of course, Kenton falls madly in love with Sharane the moment he sees her, and only wants to help her. Merritt then sends Kenton on a path from a galley slave on the ship gaining allies, to a leader, in Kenton’s quest to end the war, with all the resulting violent fights in his hero’s journey to succeed and win the love of Sharane.

The Ship of Ishtar was a massive success and ruled the American Fantasy market for decades. Merritt had an enormous impact on many writers. H.P. Lovecraft, Clark Ashton Smith, E.E. “Doc” Smith, Edmond Hamilton, Leigh Brackett and Michael Moorcock were and are huge fans. Robert E. Howard also liked Merritt’s work, and one can see the probable inspiration and influence this book had on Howard’s famous Conan story, “The Queen of the Black Coast”.

So, if you’re interested in reading The Ship of Ishtar, please take a look at the DMR book’s forthcoming edition. As Dave Ritzlin says in his announcement, the book will have Merritt’s preferred version of the text, all of the illustrations Virgil Finlay did for the first two times the book was published in pulps, and other items from A. Merritt’s estate in it.

Abraham Merritt definitely needs to be re-examined by all lovers of fantasy if you haven’t read any of his stuff. So if you have never read The Ship of Ishtar, or it’s been years since you read it, get a copy of it at DMR books ( https://dmrbooks.com/ ) starting November 8th, and start enjoying a forgotten master’s work again.

“And There Was Bob Lee and the Peacocks” – A Guest Post by John Bullard

“And there was Bob Lee and the Peacocks”:
One of Robert E. Howard’s Favorite Texas Feuds

Robert E. Howard loved the history of Texas and the Southwest. He used it in writing many of
his stories. Famously, he wrote the last Conan tale, “Red Nails”, after his 1935 trip to New
Mexico, where he got the chance to see the sleepy town of Lincoln and walk its streets reveling
in the history of the Lincoln County War and Billy the Kid, an incident from history that he loved.

His story tells of the long-running feud between the inhabitants of the fabled city of Xuchotl,
where red and black nails were pounded into a post to keep score of which side’s followers had
been killed by the other. Howard was inspired by his knowledge of the Lincoln County War and
recent trip, as well as some other bloody feuds that had occurred in Texas to write this bloody
tale. Some of the Texas feuds Howard talks about in his letters are the Mason County Hoodoo
War between the German Unionist settlers and the Texan Confederate sympathizers, and the
Taylor-Sutton feud, which took place between two families over control of DeWitt county.

However, one of Howard’s favorite Texas feuds that may also have helped in his creating “Red
Nails”, is the Lee-Peacock feud, which was the bloodiest feud in Texas history, and perhaps the
second bloodiest in the United States. Continue reading

The Cowboy and the Contest: A Guest Post by John Bullard

The Cowboy and the Contest:

Teel James Glenn’s Latest Bob Howard Adventure

I was looking for something to read, and checked to see if Teel James Glenn had written anything new in his “Adventures of (Robert E.) Bob Howard” series where  an alternate universe Howard didn’t kill himself and went travelin’. He has written a third one, The Cowboy and the Contest, and it is a novella that is very different from the first two books in the series: A Cowboy in Carpathia , and The Cowboy and the Conqueror. Those two previous books were definitely set in the “new pulp” style of world-threatening adventures by first having Bob Howard fighting Dracula, and then taking on an evil cult trying to bring Lovecraftian horrors in to the world. They were action-fests from practically the first word on. This third story is shorter, quieter, and very enchanting. And, while it has its action scenes, they aren’t of a world-threatening nature, but more “down-to-earth” so-to-speak, (or actually write), within the story’s setting. Continue reading

REH and Some Pulp Editor Critiques: A Guest Post by John Bullard

While working on books for the Robert E. Howard Foundation, I happened to be digging through all of the typescript digital photo copies the Foundation has made from the Glenn Lord Collection. I came across many letters from various Pulp Editors and Publishers to Howard critiquing his stories or giving him advice, or saying why they rejected his submissions. Rob Roehm had published most of the correspondence from Farnsworth Wright and Otis Adelbert Kline to Howard in the wonderful The Complete Letters of Doctor Isaac M. Howard, but most of these other letters have not been published for interested folks to read. I gathered them all and have edited a booklet that may hopefully be published sometime soon. I thought a look at a few of the letters might be interesting for the insights they give into what Robert E. Howard was dealing with in his writing career. Continue reading

Ambrose Bierce’s Birthday, with a Guest Appearance by Robert E. Howard, Part 3: The Effects of Psychological Terror and Obsession

This is a guest post by John Bullard. I apologize for taking so long to get it posted. (Family medical issues required my attention.) Take it away, John.

I didn’t get a chance to post this article up on writer, reporter, and Civil War veteran Ambrose Bierce’s actual birthdate of June 24th due to work, but better late than never. I had originally started what has become an unexpected series of only thinking about what appeared to me to be the obvious influence Ambrose Bierce’s writing had on two of Robert E. Howard’s horror stories. I later was struck by how much another Bierce story seems to have influenced another Howard story. As I finally got around to reading another Howard story that I haven’t read before, I immediately saw the influence of Bierce’s writings on it, too. I feel that with these 4 stories, I can show that Ambrose Bierce, being one of Howard’s favorite writers1, definitely played a role on some of Robert E. Howard’s horror story writing. Continue reading

A Tribute to James Bama, Pulp Reprint Artist Extraordinaire by John Bullard

James Bama

I received word from my friend Tony Tollin Sunday night that the artist James Bama passed away in his sleep. I never got a chance to meet him, although when I was going to be up in Wyoming in 2018, Tony offered to put me in contact with him to see if I could meet him in person, but I felt I would be too busy with other things, and mainly, I felt that I would be imposing on him, so I declined.

James Bama was a highly successful commercial artist, painting covers for magazines and paperback books from the 1950’s to the 1970’s. When he decided to retire, he moved to Wyoming and began painting incredible portraits of American West subjects. His style is of the school of photo realism. Continue reading

Bob Howard Rides Again!: A Review of The Cowboy and the Conqueror by John Bullard

So, if you remember my review of A Cowboy in Carpathia, written by Teel James Glenn, last December, I liked the book and its plot of Robert E. Howard not killing himself and going off to travel the world and have exciting exploits. I expressed a desire that the author of the book, Teel James Glenn, would continue writing the adventures of Bob Howard. Mr. Glenn has answered my wish and written the second in what looks like a continuing series of the exploits of Robert E. Howard—The Cowboy and the Conqueror, which was published a month ago. I ordered a copy and have just finished reading it. How is it, you ask? Well, read on. Continue reading

A Cowboy in Carpathia: A Bob Howard Adventure: A Review by John Bullard

As stated in the title, this is a guest review by John Bullard.

A Cowboy in Carpathia
Teel James Glenn
paperback $9.99
ebook $2,99

I found out about this book, A Cowboy in Carpathia: A Bob Howard Adventure by Teel James Glenn, from a post on “The Swords of Robert E. Howard” bulletin board, in the thread on books or stories with Howard as a protagonist (Howard as Protagonist | The Swords of Robert E. Howard (proboards.com) . It sounded interesting enough to check out, so I bought a copy and read it. I will breakdown my review into two parts: the story on its merits, and how it handles Robert E. Howard. Continue reading

“A Ghost Story for Christmas”: M. R. James and the BBC, Part 2

This is part 2 of John Bullard’s guest post.

This is the second part of a look at the ghost stories by M.R. James that the B.B.C. adapted for their series, “A Ghost Story for Christmas”. In part 1, we looked at the stories and films of “The Stalls of Barchester”, “Lost Hearts”, “The Treasure of Abbot Thomas”, “The Ash Tree”, and briefly at “Oh, Whistle, and I’ll Come to You, My Lad”. Now, we will examine “A View From a Hill”, “Number 13”, “The Tractate Middoth”, and take a deeper dive into the original 1968 version of “Oh, Whistle …” and its 2010 remake. There will be major spoilers for these last two films, and minor ones for “A View From a Hill”. Continue reading

“A Ghost Story for Christmas”: M. R. James and the BBC, Part 1

This is the first of a two-part essay on M. R. James by John Bullard.

Being close to Christmas time, and Keith having established his annual ritual of looking at Victorian Christmas Ghost stories, I thought I’d help him out this year with a look at the second biggest person to uphold the tradition of a good ghost story for Christmas after Dickens, M.R. James, and how the B.B.C. ran several dramatizations of his stories for years for Christmas. We will look at nine of the ten stories that were adapted, starting with the first five. Continue reading