Monthly Archives: July 2013

David Gemmell Awards Are Back

It dawned on me earlier today that I forgot to mention that the David Gemmell Awards have revamped their website and are now back for another year.  I mentioned them in passing in the previous post, but I forgot make them the subject of a post, something I had intended to do.  Anyway, it may be somewhat misleading to say the Gemmell Awards are back, since they never really went away.  They are merely delayed in order to coincide with this year’s World Fantasy Convention, which will be held in Brighton.

The lists of nominees in the various categories are up on the new website, which looks quite impressive and is more visually appealing than the old one.  This is becoming the only award in I care about, at least in the sff field.  But that’s a topic for another post.  Check out the nominees, join the site if you  haven’t, and make sure you vote.

The Rest of the Summer

Just a quick note to let you know what I’ve got on my plate leading up to Worldcon. 

Speaking of Worldcon, I’m going to read at least some of the short fiction nominees, as many as time will allow, and give my thoughts.  I don’t think I’m going to try to read all the novels.  The publisher of two of them put a security code of the ebooks that went out in the Hugo voters’ packet.  I don’t appreciate what that implies.  I’m not going to upload the books to a file sharing site.  I’m not a crook, nor do I care to be treated as though I were.  Therefore, I won’t be reading (or voting for) Blackout by Mira Grant or 2312 by Kim Stanley Robinson.  I do have some comments to make about this year’s nominees in general.

The Gemmell Awards are a bit later than usual this year to coincide with the World Fantasy Convention.  My review copy of Winter Be My Shield by Jo Spurrier arrived the other day.  It’s on the long ballot for the Morningstar Award.  I’m looking forward to reading it.  I’ll post the review on the Gemmell Awards site and a notice here when it goes live.  After the awards are given out, I’ll post the review here.

I’ve got a number of titles from Pyr.  The ones I intend to review in July are The Doctor and the Kid by Mike Resnick, Kindred and Wings by Phillipa Ballentine, and Wrath-Bearing Tree by James Enge.  Then there’s The Scroll of Years by Chris Willrich and The Doctor and the Rough Rider by Mike Resnick.  Those I probably won’t get to until August.

I’ve had a copy of the conclusion of Joshua P. Simon’s Blood and Tears Trilogy, Trial and Glory on my ereader for far too long.  It’s going to be reviewed within the next four to six weeks. 

I don’t know what order I’m going to read them.  It will depend on my mood and what I feel like reading.  I’m also going to throw in a bit of shorter works, both here and over at Futures Past and Present.  There are also a couple of other novels I’d like to read by the end of the summer.  And somewhere in there, I’ll be reading things for my column at Amazing Stories (TM). 

John D. MacDonald’s One Fearful Yellow Eye

One Fearful Yellow Eye
John D. MacDonald
trade paper $16.00
Kindle Nook $11.99

It’s been a few years since I read any MacDonald, and a few years more since I read one of the Travis McGee novels.  I’d been reading them in order, and this one was the next in sequence.  It was also the only one I was missing.

I’d had an urge to read MacDonald for a while, sort of a mental itch that wouldn’t go away, and so I decided to pick up this series where I’d left off.  A quick online check found a good copy in the editions I was collecting for a few bucks plus shipping, so I placed my order.

Much of this one takes place in Chicago in the winter, not your typical setting for a McGee novel.  Travis gets a call from an old girlfriend.  Her rich older husband has died of cancer.  This was expected.  His fortune, which he had said he would divide between her and his two grown children, has vanished.  Over a period of several months before his death, he quietly liquidated most of it.  This was not expected.

Now the children are accusing the stepmother of being a gold-digging treasure seeker who has hidden the money somewhere.  It’s up to Travis McGee to find out what’s really going on.

This one had lots of twists, along the usual amount of casual sex and philosophy one would expect from a Travis McGee thriller.  Initially the setup looks pretty hopeless.  The grown kids aren’t friendly.  The trail has gone cold.  The widow is completely in the dark about her husband’s motives.  So is the husband’s former mistress.  Everything looks like a dead-end.

The first Travis McGee novel appeared in 1964, which means MacDonald was probably writing the first couple in 1963 or perhaps as early as 1962.  Four were published that first year, with three more following in 1965.  One Fearful Yellow Eye was the sole title published in 1966.  After that, the pace slowed down considerably.  Looking at the bibliography on his Wikipedia page, I was surprised to see that after the mid-60s, most of MacDonald’s output was Travis McGee.  He wrote so many novels, I thought he had continued on with stand-alones while writing the McGees.

The books are products of their time.  LSD figures into the plot of this one, the second novel in which this happens.  Some of the language is different from what you would hear today, for instance referring to a man’s secretary as “his girl”, smoking occurs in all sorts of places where it is no longer permitted.  McGee’s philosophizing about his society is a bit old-fashioned in some respects, and a few of the cultural references would probably be lost on younger readers.

Overall, though, the story has aged well.  The things that are clearly period add to the charm of the book.  The action and the characterization, the knight errant aspect of Travis McGee, these are the reasons people read this series, nearly 30 years after the last one was written.  MacDonald’s influence can be seen in the works of numerous writers in crime and suspense.  Read him and see why.

I’m embarrassed to say how long it’s been since I read one of these.  I’d forgotten how much fun they can be.  Also how dark some of them are when you get down to the core of book.  Still, I’m looking forward to the next one. 

Also, MacDonald wrote a great deal of science fiction, most of it at shorter lengths.  The SFBC collected his three novels (Wine of the Dreamers; Ballroom of the Skies; The Girl, the Gold Watch, and Everything) back in 1980 in the omnibus Time and Tomorrow.  There were also a couple of short story collections which aren’t too hard to find (End of the Tiger and Other Stories; Other Times, Other Worlds).  I may take a look at them soon.  Still there are enough uncollected sf tales to make a fine collection or two.  (Mr. Haffner, are you listening?) 

Further Thoughts on Marvin Kaye and Weird Tales, Plus Some Suggestions

Last fall I wrote a detailed review about the first issue of the latest version of Weird Tales.  One of the commenters, Chap O’Keefe, said he had sold a pair of stories that were scheduled to come out in subsequent issues.

Since then, there’s been little news about when those issues would appear.  At least until last Monday (June 24).  Mr. O’Keefe updated the status of his submissions in a follow-up comment.  I’m reproducing it in its entirety: 

Since the above was written, including my comments, much has changed at the new WT.My own latest shock came in an email from Marvin Kaye earlier this month in which he welshed on his acceptance of the two stories he was going to run in his magazine. Once upon a time you could count on an editor’s word, and his written word was as good as a handshake. The whole sorry tale is told in full in the introduction to my new Amazon Kindle eBook Witchery: A Duo of Weird Tales You might like to run the guts of it as a post in your new blog — a salutary warning to all who rely on gatekeeper publishers! In fact, it gives my small ebook a third, very weird tale. Story is “excellent” but editor and co-publisher Kaye must put it aside so he can re-open his “submission portal” to other, unseen stories … Huh? Has the man lost lost it?

And here’s a follow up comment with more information:

 I understand this situation affects several more writers, too. Kaye said, “I regret to inform you that the publisher of Weird Tales has decided to pass on quite a few stories, yours included. This is a measure to reduce our huge fiction inventory.” Kaye owns the rights to the Weird Tales magazine title and is co-publisher, so there is little we can do about what, as you say, is a pretty unheard-of thing to do, except WARN OTHERS. Kaye has offered no fee, just a promise that “If you have not sold your submission elsewhere, try us again in 9 months. If we have room at that time, it will be an automatic sale.” Note the “ifs”; note what his previous promises were worth.

I bought and read WitcheryI reviewed it at Amazing Stories, since the traffic is higher there.  I found both stories to be quite enjoyable and recommend the book.  It’s only $0.99, so it’s a steal.  The introduction alone is worth that.  If you’re interested in Weird Tales, you should read the introduction.

My purpose here isn’t to repeat the review, but to discuss some of the implications of what’s happened.  I’m not privy to Mr. Kaye’s counsel, and in fact have never met the man.  I’ve always enjoyed the anthologies he’s edited along with the first issue of the new Weird Tales.  My overall opinion of his taking the reigns of the magazine was that This Is A Good Thing.

Now I’m of a different opinion.  Frankly, I can’t begin to imagine what’s going through the man’s mind.  Why on Earth would he reject stories, perfectly good stories that he’d already accepted, just to reopen to submissions?  If he’s the editor can’t he open the slush pile when he’s good and ready?

Of course, if you recall, Kaye announced that excerpts of the novel Saving the Pearls would be appearing in the first issue he edited.  This is a book that many people in the sff community believed to be racist.  Publisher John Harlacher eventually (and belatedly) nixed that idea.  (Events summarized here.)  Maybe Harlacher is the one insisting on reopening for submissions?  I don’t know, but at this point it’s a possibility I’d consider until I learn otherwise.  None of which helps Mr. O’Keefe or any of the other authors who have received these letters.

I’ve seen reports that the magazine is foundering, at least in part because it has lost newsstand distribution.  I don’t see why that should be a problem.  There are a number of magazines that seem to be doing quite well that don’t have newsstand distribution or even print editions.  They run on some version of a model of electronic subscription and free stories online.  Perhaps you’ve heard of some of them.  They include but aren’t limited to:  Lightspeed, Beneath Ceaseless Skies, Apex, Nightmare, Clarkesworld, and Galaxy’s Edge.

So here are my suggestions.  Mr. Harlacher can take it for what he thinks it’s worth, assuming he ever sees this.  First, change your business model.  Adopt the basic model of the magazines listed in the previous paragraph.  Forget about newsstand distribution.  The print format genre fiction magazines such as Asimov’s, Analog, F&SF, EQMM, and AHMM saw their circulations drop for years until they began to produce electronic versions.  Since then things seem to have improved.  Magazines such as Realms of Fantasy have tried to make a go of it as print periodicals and are no longer with us.  Learn from these publications, both print and electronic, what works and what doesn’t.

Replace Marvin Kaye.  As much as I enjoyed his anthologies for the SFBC, and as much as it gives me no joy to write this, Kaye seems to have gone around the bend as an editor.  Find someone who will find new and exciting weird fiction while respecting the history of the publication, avoiding unnecessary controversy, or poor editorial decisions.  Kaye’s selection as editor was too divisive, and his decisions since then have only made things worse.  Someone who can restore faith in the publication needs to be the editor.  (Good luck finding this person.)  Ann Vandermeer brought new readers to the magazine while alienating many of the long-term fans.  I think at least for the near future, the publication should have a mix of fiction that is broader than anything Kaye or Vandermeer published.  Ideally, if WT published 4-6 stories a month or 2-3 every 2 weeks, there should be plenty of variety to please a majority of readers in both camps.  Not all, but a majority.

Those are my thoughts on how improve the magazine and get it back on its feet, as well as restoring its reputation.  I realize not everyone will agree with them.  That’s fine.  I’m making these suggestions in the interest of initiating a dialogue.

I’d like to thank the person who linked to my review in the Wikipedia article on Weird Tales