Category Archives: Barry Malzberg

Bea Mahaffey at 98

Eric Frank Russell and Bea Mahaffey. Photo by Norman Shorrock.

Bea Mahaffey was born on August 24, 1926.  She passes away in 1987.  Ms. Mahaffey was active in early fandom and was an assistant editor for Ray Palmer after he left Amazing Stories to from Clark Publications.

I realize it may come as a shock to some people that there were female editors in the early 50s.   They seem to think women didn’t become involved in science fiction and fantasy and smash The Patriarchy until [insert arbitrary recent date here].  I spoke to that issue in this post. Not that it did a lot of good.  Some people just don’t listen.  Not regular readers of this blog, of course.  They’re on top of things.

Mahaffey worked with Palmer on Other Worlds, where she is credited as being the person who actually purchased Eric Frank Russell’s classic story “Dear Devil”.  If she had done nothing else in the field, she should be remembered for this.  Mahaffey is also credited as being co-editor with Palmer on Science Stories, Universe Science Fiction, and Mystic Magazine.  Financial considerations forced Palmer to end her employment in 1956.

Bea Mahaffey was quite popular with the male fans of the day.  Legend has it that both male and female attendance at fan gatherings increased when she was there.  The men attended to keep an eye on Bea, and their wives attended to keep an eye on them.  That may or may not be true, but I’m inclined to think it is to at least some extent.  Mike Resnick and Barry Malzberg got in trouble a few years ago when they wrote favorably about Bea Mahaffey’s looks in the SFWA Bulletin.  Personally, I think beauty and achievement should be recognized.

In conclusion, Bea Mahaffey had a impact on the field of the fantastic.

Honoring David Drake

Onward DrakeOnward, Drake!
Mark L. van Name, ed.
Baen Books
Hardcover, $25
ebook $9.99

There’s been a long tradition in the field of honoring outstanding authors with an anthology.  Sometimes the anthology comes after they’ve passed on, but usually the anthology is published while the authors are still with us.  Such is the case with David Drake.  He’s a giant whose works have changed the genre, and for the better I might add.  It’s good to see this tribute to him, especially as he’s still with us to appreciate it.

Onward, Drake! contains both original fiction as well as essays in honor of Drake.  There’s a pretty wide range of stuff here.  Although David Drake built his reputation with his military science fiction, particularly the Hammer’s Slammers series, he’s written in a wide variety of subgenres:  epic fantasy, dark fantasy and horror, space opera, and humor.  As if that weren’t enough, he’s also been an editor and historian of the field with a great appreciation of the pulp writers.  I’ve enjoyed pretty much everything I’ve read by him

The highlights of the anthology are two new stories by Drake himself.  Continue reading

Does This Cover Offend You?

Because it sure has offended some folks.  There’s a major row going on within SFWA (the Science Fiction and Fantasy Writers of America) right now over two things.  One is this cover, to which many objected on the grounds that it’s sexist, has no place on the cover of a writer’s group’s publication, that it’s offensive to some members of the group, and so forth.  (For the record, I am not and never have been a member of SFWA.)

It seems that Red Sonja-esque women in chain mail bikinis have no place in modern fantasy, at least as far as a certain segment of SFWA is concerned.  SFWA purports to speak for a diversity of writers, which means sooner or later one subset will be offended by something.  The question is to what extent does one person’s perceived right to be free from offending material infringe on someone else’s right of free speech or expression.

The other, and bigger, stink is over the Resnick-Malzberg Dialogues.  This is a feature that has been running in the bulletin for years.  Mike Resnick and Barry Malzberg discuss various aspects of science fiction culture and history.  Having lived through so much of the field’s history and having made some of it themselves, it’s always been a favorite feature of mine.  (In case you’re wondering, the Bulletin isn’t restricted to members; anyone can buy a subscription.  I’ve never subscribed, but I used to pick it up when it was available on the newsstand.)

The controversy started out with a two part discussion about female writers and editors in the past.  Only they used a horribly offensive term….”lady”.  And commented on how beautiful at least one woman editor was.  I’ve not read this part of the Dialogues, so I can only go by what I’ve seen online in response to it.  I don’t know how patronizing the use of the word “lady” was, so I’m not going to comment on it, at least not yet.  If anyone would would be willing to send me either a hard copy or a scan of these two Dialogues, I would be quite appreciative.  Resnick and Malzberg published a rebuttal (in this very issue, IIRC).  They didn’t apologize; they defended themselves against what they viewed as censorship.  I have read their response.  It’s available here if you scroll down, along with links to many posts in which the author is offended at their rebuttal.

The response set off an even greater uproar, with many people using the word “assholes”.  A lot.  Yes, you read that correctly.  A number of people are calling Resnick and Malzberg, two of the most acclaimed writers and editors in the field, assholes.  Among other things.  Much of what I’ve read (which isn’t everything) seems to consist of people offended that Resnick and Malzberg aren’t apologizing but standing their ground.  One member has resigned over it.  Outgoing SFWA President John Scalzi has issued an apology.  I’m still trying to figure out just how much of a tempest in a tea pot this is, not having read the original articles.  If I can, I’ll comment on it.  I might anyway if I can’t get copies of the original Dialogues, but I’m going to try to go to the original sources.

Until then, I’m curious about the cover, which I view as a separate (although related) controversy to Resnick and Malzberg’s comments.  This blog has a different demographic than SFWA.  I think that’s a fair statement.  What do you think?  Is there anything wrong with the cover?  Should it not have been printed on the Bulletin?