Author Archives: Keith West

Changes Coming to the Blog

Traffic the last few days has been up quite a bit, so when traffic today was down, I wasn’t too worried.  I’ve noticed that trend before, a drop in hits on the day following higher than usual traffic, even thought the traffic drop today is greater than usual.

Then I noticed something in my inbox.  It was from Google.  It had come in overnight, and at first glance I thought it was spam that had slipped through the filter.  Instead it was accusing this blog of being spam.  The second line read, in part, “As a result of your site having pure spam, Google has applied a manual spam action…”

Excuse me!?!

I’m not sure what is going on here.  Google’s Webmaster Guidelines say that if I post a lot of content from other sites with links back to those site but don’t provide original content, then the site is a spam site.  Reviews of products with links back to other sites are not considered spam sites by the terms of the Guidelines.

Yes, I include links to a book’s page, publisher’s page, author’s page, and vendors (Amazon, etc.) as well as a copy of the cover.  I do this as a courtesy to anyone who might be interested in the book.  But there will always be plenty of original content.  I also post rants and opinion pieces, news items if I hear about them soon enough, trip reports, and the occasional obituary or tribute.  And while I am an Amazon associate, as duly noted at the bottom of the page, I’ve never made enough money ($10, cummulative) from it for Amazon to pay me.  In other words, to the best of my knowledge I am not nor ever have been in violation of Google’s Guidelines.

I’m not sure how this blog got flagged as a “pure spam” since there are (at a guess) hundreds, if not thousands, of book related blogs out there that do essentially what I do in pretty much the same way I do it.  Futures Past and Present wasn’t included in the spam classification.  Just Adventures Fantastic. 

So either something at Google flagged as spam or else someone reported this site as spam.  Frankly, I can’t imagine who would do that or why.  I have intentionally stayed out of most of the controversies in the field at the moment.  I don’t usually write totally negative reviews.  My intention isn’t to trash someone’s work.  If I absolutely hate something, I usually don’t review it, assuming I even finish reading it in the first place.  In my post at Amazing Stories this week, I did write a pretty negative review.  (Okay, yeah, I pretty much trashed the book, but it was a biography, not fiction, and the standards of quality are different.)

I submitted a reconsideration request.  The response I got was that it would take a few weeks before they changed anything, if they did. 

I’m not going to wait that long.  I bought a domain name earlier this year with the intention of self publishing some of my own work.  Being a creature of inertia, I’ve not made the time to get up the learning curve on that yet, I’m about to.  I’ll still review the items I listed a few posts ago, but August may be pretty sparse. I’m going to be switching blogging platforms and transferring everything from here and Futures over there as well as getting some things up for sale.  If anyone has some suggestions about the best way to go about that, I’d appreciate hearing them.  I want to move all 500+ blog posts over.  I’m familiar with WordPress, but I don’t know if it will let me do that.

Once the site is up, I’ll post a notice here.  At that point everything will move over to the new site.

The Butcher of Khardov

The Butcher of Khardov
Dan Wells
Privateer Press/Skull Island eXpeditions
ebook (mobi, epub, pdf) $4.99

I wrote a few weeks ago in my review of In Thunder Forged that the Iron Kingdoms (TM) is a place I was looking forward to visiting again.  Simon Berman was kind enough to send me a review copy of the latest novella in Privateer Press’ Skull Island eXpeditions line.  (Thank you very much, Simon.)  The Warcaster Chronicles consists of two novellas so far, but if the quality of this one is consistent with the rest of the line, there will be more once word gets out about them.

Personally, I prefer the novella length because it allows an author to develop character and world while still maintaining a good pace.  There’s no time to get bogged down in unnecessary details in a novella.  Plus, I can read one in one or two sittings without investing a major portion of my life.

The Butcher of Khardov is Orsus Zhoktavir.  He’s seven and a half feet tall and more than a match for any man.  He watched his parents butchered by raiders when he was ten.  He’s working as a lumberjack and engaged to a girl named Lola.  But you know what they say about the best laid plans…

Wells doesn’t tell this story in chronological order.  Instead he skips around, showing us various parts of Orsus’s life.  He shows us the conflicted, damaged man Orsus is, one who wants to do right and leave the killing and violence behind him but can’t for a number of reasons, including madness and regret and the consequences of his own choices.  Wells displays a wide range.  The battle scenes are exciting and well executed.  Orsus’s courtship of Lola is filled with warmth, humor, and love.  Contrasted with the courtship is Orsus’s regret and madness as he struggles with his failures and all the things he’s done.  There’s an overarcing story, concerning the new young queen.  I have to admit, while I wasn’t surprised at the queen’s response to Orsus, it was the perfect ending.  It’s also an ending that raises the question who the greater butcher will ultimately turn out to be.

Orsus isn’t always a likeable character, particularly in the novella’s opening scene.  But he’s a very human one, a man the reader can relate to on some level because he’s a man wanting to belong, to protect, to serve, and one who sometimes fails.  By showing us the human side of Orsus, especially his feeling towards his parents and Lola, Wells makes us care for him.  Which makes his failures all the more powerful.  This is someone you will want to succeed, and you’ll root for him even when you know he’s going to fail.

A few days ago, Tom Doolan wrote a post on his blog in which he brought up the perception of gaming fiction in the minds of the general fantasy reading  public.  I have to say that while I’ve not read a great deal of gaming related fiction, I’m going to keep reading in the Iron Kingdoms setting.  I’ve only read two works so far, The Butcher of Khardov and In Thunder Forged, but they’ve been as good or better than much of the independent novels I’ve read over the last few years.  It’s this type of book that’s helped me overcome my literary snobbery.  It’s books like these that will change people’s perceptions about gaming related fiction.

The Butcher of Khardov is only available in ebook format.  The formatting is top notch.  There are no jumps, weird line breaks, or other problems.  The illustrations add to the story rather than detract from it.  My only complaint is that the map doesn’t show up well in greyscale on a first generation ereader like the one I have.  But that’s a minor point.

Happy Birthday, Charles R. Saunders

Charles R. Saunders was born today, July 12 in 1946.  Saunders is the author of the Imaro series, the Dossouye series, and various works of nonfiction.  Saunders is the foremost practitioner of what is known as the Sword and Soul subgenre of Sword and Sorcery, in which the settings and characters are based on African history and mythology rather than European.  I am ashamed to admit that I’ve not read either the Imaro or the Dossouye series, although I’m familiar with the basic premise of each.  I’ve got the first two Imaro books on the shelf and plan to get to them by the end of the year.

Happy birthday, Mr. Saunders, and many happy returns.

Weird Tales Update: Issue # 361 ToC Posted

I don’t normally do two posts in one day, but I just learned that Weird Tales has posted the table of contents for the next (as yet unpublished) issue, # 361.  The cover has also been posted, as seen at left.

Authors include Peter S. Beagle, Jane Yolen, and Tanith Lee along with a number of lesser known names.  The theme is fairy tales, and the three headliners are among the top authors in this subgenre.  If the other stories are of comparable quality, it will probably be a great issue.  Even if the other stories don’t come close to Beagle, Yolen, and Lee, it could still be a better-than-most-stuff-out-there issue.  Those three are some of the best writers working today, and it’s really not fair to newer writers to compare them to B, Y, & L.

There’s no release date yet, only that individual copies will be available soon.  I truly hope so, but given some of the recent developments at the magazine, I’m not going to hold my breath. I’ll refrain from further comment at this time since I said my piece in the previous post on WT.  Look for a review when I get a copy of the issue.

Some Thoughts on the Random Penguin Merger

Although he may not have a household name, Tom Dupree is a publishing insider with a lot of experience.  He doesn’t blog often, but when he does, what he has to say is usually worth paying attention to.  He posted today about the merger of Penguin and Random House into Penguin Random House, (AKA Random Penguin on this blog).

I think he’s spot on in what he has to say.  Go read his post if you haven’t yet.  I’ll still be here when you get back, with some thoughts of my own.

OK, now that you’re back, the last few sentences of Tom’s post should be fresh on your mind.  Here they are again for easy reference:

If you, the customer, get more stuff to read that you like, then this will have been a good thing. But if the Big Five turn into what they’re increasingly coming to resemble, the movie “majors” – nothing but blockbusters, and indie artists can go fend for themselves – then mutually assured destruction is just around the corner. And the real creativity – the kind that builds those glorious books that throw lightning bolts – will again reside where it once did: in small, independent publishing houses.

I’m afraid what we’re going to see is the latter possibility rather than the former.  Let’s look at the movies for a moment, shall we?  What do we usually get, especially this time of year?  Blockbusters, or rather blockbuster wanna-be’s.  And how many of those are either sequels of previous years’ blockbusters (Despicable Me 2) or reboots and new interpretations of old established franchises, often from TV or radio shows from prior generations (The Lone Ranger)?  There aren’t very many original movies, although there are a few (Now You See Me), and many of those feature an actor or actress with established star power (Oblivion). 

Steven Spielberg and George Lucas recently criticized the film industry for depending on blockbusters and offering moviegoers less choice for higher prices.  (Does anyone else see the irony in this?)  I tend to agree with them. 

We’ve been seeing the same thing in publishing for quite a while.  It’s getting harder to find original work amidst all the derivative crap, whether it’s yet another necro-erotic urban fantasy or the latest imitation of The Lord of the Rings A Game of Thrones.  In science fiction, it’s even worse.  Publishers want blockbusters or endless series of doorstoppers.  And the editing and quality of the physical product isn’t improving.  But prices are going up.

I think small presses and independent publishers (including self-pubbers with a quality product) are where all the action is.  There’s very little from the Big 5 that holds my interest any more.  While “mutually assured destruction” may be a bit over the top, it’s not far from the truth.  When the publishers began merging and were swallowed up by a few multinational conglomerates, the readers and authors lost out.  Eventually readers will get tired of the same thing all the time and look elsewhere.

I don’t hold out much hope for Random Penguin to improve the selection on the shelves of my local bookstores (yes, there are 3 where I live if you stretch the definition of bookstore considerably).  There are reasons why I read primarily books from indie and mid-size publishers such as Pyr and Angry Robot.  I do my best to point out some of the jewels I find here, at Futures Past and Present, and in my posts at Amazing Stories (TM).  There’s not much I review from the big boys anymore.  I have a feeling that that isn’t going to change anytime soon.

David Gemmell Awards Are Back

It dawned on me earlier today that I forgot to mention that the David Gemmell Awards have revamped their website and are now back for another year.  I mentioned them in passing in the previous post, but I forgot make them the subject of a post, something I had intended to do.  Anyway, it may be somewhat misleading to say the Gemmell Awards are back, since they never really went away.  They are merely delayed in order to coincide with this year’s World Fantasy Convention, which will be held in Brighton.

The lists of nominees in the various categories are up on the new website, which looks quite impressive and is more visually appealing than the old one.  This is becoming the only award in I care about, at least in the sff field.  But that’s a topic for another post.  Check out the nominees, join the site if you  haven’t, and make sure you vote.

The Rest of the Summer

Just a quick note to let you know what I’ve got on my plate leading up to Worldcon. 

Speaking of Worldcon, I’m going to read at least some of the short fiction nominees, as many as time will allow, and give my thoughts.  I don’t think I’m going to try to read all the novels.  The publisher of two of them put a security code of the ebooks that went out in the Hugo voters’ packet.  I don’t appreciate what that implies.  I’m not going to upload the books to a file sharing site.  I’m not a crook, nor do I care to be treated as though I were.  Therefore, I won’t be reading (or voting for) Blackout by Mira Grant or 2312 by Kim Stanley Robinson.  I do have some comments to make about this year’s nominees in general.

The Gemmell Awards are a bit later than usual this year to coincide with the World Fantasy Convention.  My review copy of Winter Be My Shield by Jo Spurrier arrived the other day.  It’s on the long ballot for the Morningstar Award.  I’m looking forward to reading it.  I’ll post the review on the Gemmell Awards site and a notice here when it goes live.  After the awards are given out, I’ll post the review here.

I’ve got a number of titles from Pyr.  The ones I intend to review in July are The Doctor and the Kid by Mike Resnick, Kindred and Wings by Phillipa Ballentine, and Wrath-Bearing Tree by James Enge.  Then there’s The Scroll of Years by Chris Willrich and The Doctor and the Rough Rider by Mike Resnick.  Those I probably won’t get to until August.

I’ve had a copy of the conclusion of Joshua P. Simon’s Blood and Tears Trilogy, Trial and Glory on my ereader for far too long.  It’s going to be reviewed within the next four to six weeks. 

I don’t know what order I’m going to read them.  It will depend on my mood and what I feel like reading.  I’m also going to throw in a bit of shorter works, both here and over at Futures Past and Present.  There are also a couple of other novels I’d like to read by the end of the summer.  And somewhere in there, I’ll be reading things for my column at Amazing Stories (TM). 

John D. MacDonald’s One Fearful Yellow Eye

One Fearful Yellow Eye
John D. MacDonald
trade paper $16.00
Kindle Nook $11.99

It’s been a few years since I read any MacDonald, and a few years more since I read one of the Travis McGee novels.  I’d been reading them in order, and this one was the next in sequence.  It was also the only one I was missing.

I’d had an urge to read MacDonald for a while, sort of a mental itch that wouldn’t go away, and so I decided to pick up this series where I’d left off.  A quick online check found a good copy in the editions I was collecting for a few bucks plus shipping, so I placed my order.

Much of this one takes place in Chicago in the winter, not your typical setting for a McGee novel.  Travis gets a call from an old girlfriend.  Her rich older husband has died of cancer.  This was expected.  His fortune, which he had said he would divide between her and his two grown children, has vanished.  Over a period of several months before his death, he quietly liquidated most of it.  This was not expected.

Now the children are accusing the stepmother of being a gold-digging treasure seeker who has hidden the money somewhere.  It’s up to Travis McGee to find out what’s really going on.

This one had lots of twists, along the usual amount of casual sex and philosophy one would expect from a Travis McGee thriller.  Initially the setup looks pretty hopeless.  The grown kids aren’t friendly.  The trail has gone cold.  The widow is completely in the dark about her husband’s motives.  So is the husband’s former mistress.  Everything looks like a dead-end.

The first Travis McGee novel appeared in 1964, which means MacDonald was probably writing the first couple in 1963 or perhaps as early as 1962.  Four were published that first year, with three more following in 1965.  One Fearful Yellow Eye was the sole title published in 1966.  After that, the pace slowed down considerably.  Looking at the bibliography on his Wikipedia page, I was surprised to see that after the mid-60s, most of MacDonald’s output was Travis McGee.  He wrote so many novels, I thought he had continued on with stand-alones while writing the McGees.

The books are products of their time.  LSD figures into the plot of this one, the second novel in which this happens.  Some of the language is different from what you would hear today, for instance referring to a man’s secretary as “his girl”, smoking occurs in all sorts of places where it is no longer permitted.  McGee’s philosophizing about his society is a bit old-fashioned in some respects, and a few of the cultural references would probably be lost on younger readers.

Overall, though, the story has aged well.  The things that are clearly period add to the charm of the book.  The action and the characterization, the knight errant aspect of Travis McGee, these are the reasons people read this series, nearly 30 years after the last one was written.  MacDonald’s influence can be seen in the works of numerous writers in crime and suspense.  Read him and see why.

I’m embarrassed to say how long it’s been since I read one of these.  I’d forgotten how much fun they can be.  Also how dark some of them are when you get down to the core of book.  Still, I’m looking forward to the next one. 

Also, MacDonald wrote a great deal of science fiction, most of it at shorter lengths.  The SFBC collected his three novels (Wine of the Dreamers; Ballroom of the Skies; The Girl, the Gold Watch, and Everything) back in 1980 in the omnibus Time and Tomorrow.  There were also a couple of short story collections which aren’t too hard to find (End of the Tiger and Other Stories; Other Times, Other Worlds).  I may take a look at them soon.  Still there are enough uncollected sf tales to make a fine collection or two.  (Mr. Haffner, are you listening?) 

Further Thoughts on Marvin Kaye and Weird Tales, Plus Some Suggestions

Last fall I wrote a detailed review about the first issue of the latest version of Weird Tales.  One of the commenters, Chap O’Keefe, said he had sold a pair of stories that were scheduled to come out in subsequent issues.

Since then, there’s been little news about when those issues would appear.  At least until last Monday (June 24).  Mr. O’Keefe updated the status of his submissions in a follow-up comment.  I’m reproducing it in its entirety: 

Since the above was written, including my comments, much has changed at the new WT.My own latest shock came in an email from Marvin Kaye earlier this month in which he welshed on his acceptance of the two stories he was going to run in his magazine. Once upon a time you could count on an editor’s word, and his written word was as good as a handshake. The whole sorry tale is told in full in the introduction to my new Amazon Kindle eBook Witchery: A Duo of Weird Tales You might like to run the guts of it as a post in your new blog — a salutary warning to all who rely on gatekeeper publishers! In fact, it gives my small ebook a third, very weird tale. Story is “excellent” but editor and co-publisher Kaye must put it aside so he can re-open his “submission portal” to other, unseen stories … Huh? Has the man lost lost it?

And here’s a follow up comment with more information:

 I understand this situation affects several more writers, too. Kaye said, “I regret to inform you that the publisher of Weird Tales has decided to pass on quite a few stories, yours included. This is a measure to reduce our huge fiction inventory.” Kaye owns the rights to the Weird Tales magazine title and is co-publisher, so there is little we can do about what, as you say, is a pretty unheard-of thing to do, except WARN OTHERS. Kaye has offered no fee, just a promise that “If you have not sold your submission elsewhere, try us again in 9 months. If we have room at that time, it will be an automatic sale.” Note the “ifs”; note what his previous promises were worth.

I bought and read WitcheryI reviewed it at Amazing Stories, since the traffic is higher there.  I found both stories to be quite enjoyable and recommend the book.  It’s only $0.99, so it’s a steal.  The introduction alone is worth that.  If you’re interested in Weird Tales, you should read the introduction.

My purpose here isn’t to repeat the review, but to discuss some of the implications of what’s happened.  I’m not privy to Mr. Kaye’s counsel, and in fact have never met the man.  I’ve always enjoyed the anthologies he’s edited along with the first issue of the new Weird Tales.  My overall opinion of his taking the reigns of the magazine was that This Is A Good Thing.

Now I’m of a different opinion.  Frankly, I can’t begin to imagine what’s going through the man’s mind.  Why on Earth would he reject stories, perfectly good stories that he’d already accepted, just to reopen to submissions?  If he’s the editor can’t he open the slush pile when he’s good and ready?

Of course, if you recall, Kaye announced that excerpts of the novel Saving the Pearls would be appearing in the first issue he edited.  This is a book that many people in the sff community believed to be racist.  Publisher John Harlacher eventually (and belatedly) nixed that idea.  (Events summarized here.)  Maybe Harlacher is the one insisting on reopening for submissions?  I don’t know, but at this point it’s a possibility I’d consider until I learn otherwise.  None of which helps Mr. O’Keefe or any of the other authors who have received these letters.

I’ve seen reports that the magazine is foundering, at least in part because it has lost newsstand distribution.  I don’t see why that should be a problem.  There are a number of magazines that seem to be doing quite well that don’t have newsstand distribution or even print editions.  They run on some version of a model of electronic subscription and free stories online.  Perhaps you’ve heard of some of them.  They include but aren’t limited to:  Lightspeed, Beneath Ceaseless Skies, Apex, Nightmare, Clarkesworld, and Galaxy’s Edge.

So here are my suggestions.  Mr. Harlacher can take it for what he thinks it’s worth, assuming he ever sees this.  First, change your business model.  Adopt the basic model of the magazines listed in the previous paragraph.  Forget about newsstand distribution.  The print format genre fiction magazines such as Asimov’s, Analog, F&SF, EQMM, and AHMM saw their circulations drop for years until they began to produce electronic versions.  Since then things seem to have improved.  Magazines such as Realms of Fantasy have tried to make a go of it as print periodicals and are no longer with us.  Learn from these publications, both print and electronic, what works and what doesn’t.

Replace Marvin Kaye.  As much as I enjoyed his anthologies for the SFBC, and as much as it gives me no joy to write this, Kaye seems to have gone around the bend as an editor.  Find someone who will find new and exciting weird fiction while respecting the history of the publication, avoiding unnecessary controversy, or poor editorial decisions.  Kaye’s selection as editor was too divisive, and his decisions since then have only made things worse.  Someone who can restore faith in the publication needs to be the editor.  (Good luck finding this person.)  Ann Vandermeer brought new readers to the magazine while alienating many of the long-term fans.  I think at least for the near future, the publication should have a mix of fiction that is broader than anything Kaye or Vandermeer published.  Ideally, if WT published 4-6 stories a month or 2-3 every 2 weeks, there should be plenty of variety to please a majority of readers in both camps.  Not all, but a majority.

Those are my thoughts on how improve the magazine and get it back on its feet, as well as restoring its reputation.  I realize not everyone will agree with them.  That’s fine.  I’m making these suggestions in the interest of initiating a dialogue.

I’d like to thank the person who linked to my review in the Wikipedia article on Weird Tales

The Return of Egil and Nix

A Discourse in Steel
Paul S. Kemp
Angry Robot Books
UK Print
Date: 4th July 2013
ISBN: 9780857662521
Format: Medium (B-Format) Paperback
R.R.P.: £8.99
US/CAN Print
Date: 25th June 2013
ISBN: 9780857662538
Format: Small (Mass Market) Paperback
R.R.P.: US$7.99 CAN$9.99
Ebook
Date: 25th June 2013
ISBN: 9780857662545
Format: Epub & Mobi
R.R.P.: £5.49 / US$6.99

In my review of the first book in this series, The Hammer and the Blade, I said that it reminded me why sword and sorcery was fun in the first place.  The same is true for A Discourse is Steel.  This is adventure fantasy at its finest.

Egil and Nix befriended two young ladies at the conclusion of the previous book.  Early in this one, one of them (Rose) is reading the mind of a master criminal (at his request) when he’s assassinated.  Some of the information he knows ends up in Rose’s head.

So a very dangerous criminal organization tries to kill her, and in the process nearly kills her sister Mere, Egil, Nix, and a number of their friends and associates.  In the words of the great general Bugs Bunny, “Of course, you know this means war.” Continue reading