Seven Days of Online Fiction, Day 1: Beneath Ceaseless Skies

The first story we’ll be looking at in our Seven Day of Online Fiction is”Buzzard’s Final Bow” by Jason S. Ridler in the May 5 issue of Beneath Ceaseless Skies.  This is issue number 68 for those of you who are counting. The other story in the issue is “The Finest Spectacle Anywhere” by Genevieve Valentine.  It’s the second in a series.  Since one of the rules of The Seven Days is to only look at standalone stories, it won’t be considered here.  It looks intriguing, though, so I may post about it after The Seven Days.

“Buzzard’s Final Bow” concerns an aging former gladiator, Buzzard, an old wrong for which he’s been trying to atone for years, and an evil task he’s been given.  The story is well told, and while it doesn’t hold any great surprises or unusual twists, it’s compelling. 

Buzzard is a flawed hero.  He carries a tiger around in a cage, to which he’s chained.  And this is the only problem I had with the story.  We’re not given a lot of detail about the cage, but he’s chained to it.  The chains seem to be quite long, because he is able to go into another room without taking off the chains or taking the cage with him.  Having drag this cage and tiger around with him everywhere went pushed the limits of my suspension of disbelief.  If that’s what he actually does.  I may be misinterpreting things a bit.

Anyway, the plot is fairly simple.  Lady Astra is the regent for the young Lord Konrad, a weak and sickly lad.  She wants him out of the way so she can assume the throne, as regents are wont to do.  She knows Buzzard was once Bazzar Kiln, a slave who won his freedom in the arena, where she once watched him perform.  Buzzard’s freedom is in some way tied to his tiger companion, Lady Razor, and it’s her life Lasy Astra uses as leverage.

For a short story, this one is deep and surprisingly moving.  As we learn more about the circumstances under which Buzzard gained his freedom, he becomes more and more sympathetic.  There’s also more to the young Lord Konrad than we’re first led to believe.  He has unplumbed depths of courage. 

I’ll not say more because I don’t want to spoil the ending.  Ridler doesn’t take the easy way out.  He’s set up a situation involving guilt and atonement, and he doesn’t flinch from the harsh reality of either of those things.  This is one that will stick with me.

I’ve not read any of Mr. Ridler’s work before, but he’s published in a variety of smaller venues.  If this story is typical of his work, then I expect his name will be appearing on the tables of contents in the venues with wider circulation soon.  I’m certainly interested in reading more of his work.

This series, Seven Days of Online Fiction, was started to see just how high the quality of short fiction online is.  Over half of the short fiction with multiple award nominations this year were published online.  While I won’t even attempt to pick award nominees, much less award winners, I will say that this story is of high enough quality that if I weren’t familiar with Beneath Ceaseless Skies, and this were the first story published there that I’d read, I would read more.

Quality count (high, low), end of Day One: 1-0.

Apologies

OK, when I posted “Announcing Seven Days of Online Fiction” a few minutes ago, I did something that screwed up the labels on that post and the two preceding.  I have no idea what.  Anyway, I went back and fixed them.  When I did, the software reposted those two articles ahead of the new one.  Rather than try to put the posts back in order, I’m going to leave them.  With my luck, I’ll just screw things up more.  I apologize for the snafu, especially to anyone who follows the blogs and gets notification of updates.  Follow the link above to the newest post.

The Battle of the Sexes Continues

Now that grades are finally in, I’m looking forward to getting some rest.  I had hoped to last night, but before dawn Ragnarok erupted.  There were flashes of light and loud noises, and it seemed the end of the world was imminent.  Turned out it was only a thunderstorm, not Armageddon.  It’s been so many months since we’ve had any rain here on the South Plains that I’d forgotten what it was like.  But I digress.  The point is I’m not going to have anything new ready for a day or so, at least as far as reviews or in-depth essays go.

A couple of months ago I wrote a post entitled “In Defense of Traditional Gender Roles in Fantasy” which I expected to generate some heat.  Instead it sank like a stone.  Although in the last month it’s gotten 20 hits, 10 of them in the last week.  It may resurrect itself, zombie-like.  It seems like someone is taking an interest.

Then this morning, over at the Home of Heroics blog, Jonathan Moeller wrote about anachronisms in heroic fiction.  Since he only has 1000 words, he limited himself to women warriors rather than making an exhaustive list.  Can you say “firestorm”? (He did hint in one of his replies that athiesm in fantasy societies was a possible future post.)

Of course, the new issue of Black Gate, which should be in the mail to me even as I write, is a themed issue.  What is the theme?  Warrior women, of course.  I was planning on reviewing each story individually, although not necessarily giving each story its individual post.  Have to wait and see about that, depending on story length.

But this whole brouhaha over at HoH is making me itch to read the stories.  You can bet I’m going to read and review them very carefully now.

In the meantime, I’m going to be reading history, looking are references to female warriors.

Announcing Seven Days of Online Fiction

I’ve held for a while that the online sources for short fiction are providing quality fantasy and science fiction, and in many of a quality at least as high as, if not higher than, the traditional print sources.  Apparently I’m not alone in this view.  Karen Burnham, at the Locus Roundtable posted a list of the works which have received more two or more award nominations this year.  While (not surprisingly) none of the novels on the list were published online, the short fiction of all lengths is a different matter.  Two of the four novellas, all three novelettes, and two of the three short stories on the list were published online.

There are multiple sources of online fiction.  In fact the online landscape can change suddenly.  New websites arrive and disappear quickly.  If you’re not paying attention, you could miss something.  I thought this would be a good time to survey some of the sources of short fiction on the web.

There are several reasons behind the timing on this.  One, I’m not going to start any novels for a couple of weeks.  I’ve got some anthologies I need to read (not to mention the new issue of Black Gate, which arrived yesterday), and since I’ll be reading short fiction, it won’t be a huge deal to mix up the sources of my reading.  I haven’t kept up with the online fiction markets the way I should over the last year.  Since it will be to my benefit to broaden my online reading, I thought I’d share with you what I found in the hopes that you might find it useful as well.

So, what exactly are the ground rules going to be?

First, I’m going to look at one source of online fiction a day for the next seven days.  Or rather I’m going to post one look a day.  I’ll probably need to get a little ahead since I may be on the road before the end of the seven days.  The first post will go up later today, and if all goes according to plan,  the next will go up tomorrow, the third on Monday, and so on.  We’ll see if I can pull this off. 

Second, since this blog emphasizes fantasy and historical adventure more than science fiction, there won’t be much science fiction, if any.

Third, I’ll choose which sites I visit by a complex system of analysis involving mood, time available, fatigue level, and the phase of the Moon.  In other words, it will be pretty random.  While I’ve got some in mind, and have already looked at the first one, which I’ll post later today, I’m not aware of all the sites out there.  If there’s a site you want me to look at, please feel free to let me know.

Fourth, because my time is somewhat limited, I’ll restrict myself to the current “issue” of the sites I visit, and not consider anything in the archives.  This will remove the temptation to go read the award nominees I’ve haven’t gotten to yet.  Furthermore, I don’t promise to blog about more than a single story per site.  Time is a factor here, after all.  While I might, if time allows or the stories are short enough, examine more than one per site, I only promise to look at one.  I may go back later and blog about the other stories.  Also, I will try to avoid discussing any stories that are parts of series simply for the reason I don’t have time to go back and read the preceding stories. 

Fifth, I will restrict myself to sites that are free.  That way everyone who reads these posts can access the stories if they wish.

This should be a lot of fun.  Of course I thought that a few months ago when I got on my son’s ripstick and ended up pulling a groin muscle.  But I really don’t think this will be that bad.  If it’s not a total disaster, I’ll try the same thing with the print magazines in a month or two (assuming I can find seven print magazines that publish fantasy).

Blogging Kull: The Curse of the Golden Skull

Kull:  Exile of Atlantis
Del Rey
trade paper, 317 p., $17

Once again, a story so brief it’s almost a vignette.  And like the last one we looked at, “The Altar and the Scorpion,” Kull doesn’t actually appear in it, although he is mentioned.  Only this time not with respect, but hatred and venom.

The story opens with the sorcerer Rotath of Lemuria dying from a fatal wound.  He had been struck down by Kull after having been betrayed by the unnamed king of Lemuria, a man he had thought he had controlled.  At least until he turned to Kull for aid.

As he dies, Rotath, who Howard shows to be a vile, evil creature, curses all men, whether alive or dead.  Here is one of those passages that is frustrating by what it doesn’t tell.

One of the most effective techniques an author can have is that of hinting.  Here’s what I mean.  Howard lists the deities Rotath curses mankind by.  They include ” Vramma ad Jaggta-noga and Kamma and Kulthas …the fane of the Black Gods, the tracks of the Serpent Ones, the talons of the Ape Lords, and the iron bound books of Shuma Gorath.”  That’s a pretty exhaustive list, and it doesn’t include the major deities of Valusia that were listed in the paragraph previous to the one in which these appear.

Now we’ve encountered the Serpent Ones in “The Shadow Kingdom“, but who is Jaggta-noga?  And what’s in the books of Shuma Gorath that would require the books to be bound in iron?  See what I mean?  Hints and questions implying a deeper, richer background than what is actually shown, making the reader want to know more.  It’s little touches like this that make Howard the writer he was.

As he’s dying Rotath places a curse on his own bones.  Then he passes into eternal torment.

Howard does something at this point I don’t recall him doing anywhere else.  He injects an interlude, entitled “Emerald Interlude”, in which millenia pass.  It was atypical of Howard to do something like this in the middle of a narrative. The mountaintop on which Rotath dies eventually sinks into the sea to become a swamp infested island.

What this accomplishes is to tie Kull’s era with contemporary history.  Howard had linked Kull’s time with ancient history through the character of Karon the ferryman in an untitled draft.  But that was ancient mythology.  In this case, the connection is with the modern world. 

An archaeologist is exploring the ruins when he comes across Rotath’s remains in a decaying shrine.  The skeleton hasn’t crumbled to dust because part of his dying curse was to turn his bones to gold.  As he picks up the golden skull, an adder hidden within strikes him and he dies.

A grisly, and unfortunately predictable little horror story and by no means one of Howard’s best.  It’s not even included in The Horror Stories of Robert E. Howard, although it probably should be.  Still the writing is effective, the prose setting a mood of impending doom.  It’s different and certainly not a cornerstone of the Kull canon, but an interesting addition nonetheless.

Something to Read

Between being in the middle of final exams and taking care of my wife while she recovers from surgery, I haven’t had time to post much.  For those of you who have dropped in looking for new content, the best I can do today is refer you to the two latest posts at Home of Heroics:

Steve Moody’s reflections on the popularity of antiheroes:

http://www.roguebladesentertainment.com/2011/05/heroes-and-antiheroes/
and Sean T. M. Stiennon’s examination of heroics in martial arts movies:

http://www.roguebladesentertainment.com/2011/05/ip-man-the-manly-soul-expressed-in-fisticuffs/

More on Ebook Prices

My wife had surgery yesterday morning.  She’s home now and doing fine, but I have been and will be a little distracted.  Also it doesn’t help that I’m in the middle of final exams.  Point being, posts for the next few days, when there are any, will tend to be short and sweet.

So for your education and edification, let me refer you to the following post about ebook prices by Nik Fletcher, at the end of which he makes a couple of good suggestions.  And thanks to Passive Guy at The Passive Voice for making me aware of this post.

When Honor is a Career Liability

Among Thieves
Douglas Hulick
Roc, 417 p., $7.99

This is a first novel, but it doesn’t read like a first novel.  It’s polished, complex, fast-moving, and keeps you off balance.  In other words, it’s a great deal of fun.  If you like Scott Lynch or Stephen Brust, this one is probably your cup of tea.

To briefly explain the setup.  Ildrecca is an ancient city, seat of an ancient empire.  An empire with a very old emperor.  A number of centuries ago, the Angels split the soul of the Emperor Dorminikos into three parts.  Each of the three parts was then reincarnated as the emperors Markino, Theodoi, and Lucien.  When one dies, the next in the cycle assumes the throne.  That way there is always one aspect of the original in power at any time.  Sort of a sovereignty-by-time-share.

This arrangement has worked for centuries and allowed for a (mostly) unbroken sequence of rule, with only a few interruptions when someone has attempted kill off the present incarnation and take over before the next incarnation can be identified.  There’s only one problem.  Each incarnation is starting to show signs of insanity, and each incarnation is showing those signs earlier in his life than his predecessors.

In this world there’s a very developed criminal society called the Kin.  Drothe is one of the Kin, and acts as a Nose for his boss Nicco.  A Nose is someone who is basically an information conduit both from the street to his boss and from his boss to the street.  Nicco is an Upright Man, which is sort of like a mafia don in this world.  There are also Dark Princes, who are like boss-of-bosses and can often do magic, which in this book is called glimmer.

In addition to working for Nicco, Drothe has a lucrative side business going as well, one in which he sells relics of the Emperor’s previous incarnations.  The book opens when someone has sold one of Drothe’s relics instead of delivering it to Drothe.  In attempting to recover it, Drothe finds himself drawn into a many-layered conspiracy involving an ancient journal from the early days of the Empire.  A journal any number of people seem to be willing to do any number of unpleasant things to get, including but not limited to:  torture, killings, arson, starting a war among the Kin, betrayal.  A journal that will allow the person who has it to defeat the Dark Princes and become the Dark King.

It doesn’t help that someone drags Drothe’s younger sister Christiana into the mess.  Drothe strives to keep their relationship a secret.  She married into the nobility, and is now widowed.  Having an older brother who’s of the Kin is something of a liability at Court.  Christiana has even gone so far as to attempt to assassinate Drothe to maintain her status.  But that’s all in the past…

The plot here is complex.  Very little is as it appears on the surface.  If you read this book, and you should, be prepared to have your perceptions yanked around a bit.  That was one of the enjoyable things about the stoory.  There were plenty of surprises.  They all made sense, and they were all logical.

Among Thieves has been compared to the work of Scott Lynch, and it’s easy to see why.  If you like Lynch, you will probably like this one as well.  But this is not a Lynch knockoff.  The setting is different, the characters are different, and the overall theme and tone of the book is different.  Whereas Scott Lynch weaves long plots that you savor even as the action explodes, with lots of flashbacks thrown in to allow you to catch your breath, Hulick moves the plot along at an even more breakneck pace.  There are some flashbacks, but not nearly as many as in Lynch’s work. They’re brief and serve primarily to give you background information you need to understand some of the significance of what’s happening.  Revelations come fast and furious, especially towards the end, when events barrel to a climax.

It’s been a while since I read Lynch, but I don’t recall him dealing with themes such as honor and betrayal and the costs inherent in each to the extent that Hulick does.  Yes, those themes do appear in Lynch, but everything in Among Thieves ultimately revolves around levels of loyalty and commitment and betrayal and what to do when obligations come into conflict with each other.  And the toll each of those things takes on a person.  Ultimately Drothe is an honorable man, something one of the Dark Princes comments on at a pivotal point in the novel. Being an honorable man among thieves means that no good deed goes unpunished.

Hulick is a fencer.  He writes from what he knows, and it’s evident to anyone who has ever spent much time with a blade in his/her hand.  His fight scenes, and there are a number of times when characters cross swords, ring with authenticity.  Most of the sword fights aren’t quick; instead, they can go on for pages and contain a level of detail that I haven’t seen much of in my reading in a while.  Whereas many authors would give a summary of the trusts, parries, and lunges in a fight, Hulick gives the reader a blow by blow description, including all the things that affect a fight such besides the swords.  And the fights certainly aren’t boring.  Hulick is an author who knows what he’s talking about when it comes to combat with a blade.  This allows him to pull the reader into the fight on a visceral level.

Drothe isn’t the best swordsman on the street; he gets his butt kicked plenty of times.  But he keeps on  fighting against his situation.  He’s a morally complex character, one who cares about the innocents around him, the rest of the Kin, what he can do to protect them.  Yet he’s also not without his flaws.  He’s not above killing solely for revenge or to torture in order to gain information.

Drothe isn’t the only three dimensional character.  Most of the others are as well.  Certainly the apothecary and his wife, who are Drothe’s tenants are well developed and interesting people, and I wish they had been given a greater role in the story, especially Cosima.  So are most of the major characters in the Kin and Drothe’s friends, such as Bronze Degan, a member of an elite fighting corps.  Like the plot, as the books goes on, the characters get deeper and more complex.  Probably the most complex is the friendship Drothe has with Degan, which becomes one of the pivotal relationships in the novel.

I’ve only scratched the surface of the plot or the interactions and relationships between all the characters.  To tell more would be to deprive you of the pleasure of discovering those depths for yourself.  Hulick leaves enough loose ends and enough questions unanswered, such as just who was Drothe’s stepfather, that there’s plenty of room for a sequel.  Don’t let that put you off from reading the book.  All of the major questions central to the conflict in the book are answered.

This is an impressive debut by a writer who, if he can maintain this level and continue to grow, and I hope and believe that he can, will be a major player in the fantasy field.  An Upright Man in the genre, if you will.

Continue reading

David Gemmell Legend Award Finalists Announced

This year’s slate of finalists for the David Gemmell Legend Award for Best Fantasy Novel 2010 have been announced:

  •  Towers of Midnight by Brandon Sanderson and Robert Jordan (Tor/Orbit)
  • The Alchemist in the Shadows by Pierre Pevel (Gollancz)
  • The War of the Dwarves by Marcus Heitz (Orbit)
  • The Black Prism by Brent Weeks (Orbit)
  • The Way of Kings by Brandon Sanderson (Tor/Gollancz)
  • The Desert Spear by Peter V. Brett (Voyager)

Named after the late David Gemmell, the award aims to recognize excellence in the fantasy field.  The main page of the award is here.

Also announced are the finalists for the Morningstar Award for Best Fantasy Newcomer/Debut and the finalists for the Ravenheart Award for Best Fantasy Book Jacket/Artist.

The nominees for the Morningstar Award are:

  • Spellwright by Charlton Blake (Tor)
  • Warrior Priest by Darius Hinks (The Black Library)
  • The Hundred Thousand Kingdoms by M. K. Jemison (Orbit)
  • Shadow Prowler by Alexy Pehov (Tor)
  • Tymon’s Flight by Mary Victoria (Harper Collins Australia)

The finalists for the Ravenheart Award are:

  • Olof Erla Einarsdottir – Power & Majesty
  • Todd Lockwood – The Ragged Man
  • Cliff Neilsen – The Hundred Thousand Kingdoms
  • John Sullivan – Shadow King
  • Frank Victoria – Tymon’s Flight

A complete list of all nominees for the Gemmell, Morningstar, and Ravenheart Awards can be found here, here, and here, respectively.

Congratulations to all nominees, especially the finalists.