Monthly Archives: August 2020

Le Fanu, Vance, Kirby, and McIntyre

Today, August 28, marks a number of birthdays in the fields of the fantastic. I’m going to focus on four of them. This was the first week of classes, and things have been hectic to a greater degree than normal. That is to say, I haven’t slowed down long enough to read anything by any of these folks. In spite of that, I would like to recognize them. Continue reading

A Birthday Recognition for Two Ladies.

I can say that, can’t I? “Ladies”, I mean. If that verboten? I mean Mike Resnick and Barry Malzberg got in all kinds of trouble for referring to a “lady editor”, but Mary Robinette Kowal, who (I think) was leading the charge against those two has a series about a lady astronaut with the word “lady” in the title. I’m so confused.

I guess the lesson is you ain’t gonna please everybody, so you might as well please yourself.  I’m gonna please myself be recognizing two ladies who have left their mark on the field were born on this day, August 24. The first was Alice B. Sheldon (1915 -1987), who wrote under the pen name of James Tiptree, Jr., and Bea Mahaffey (1926-1987), who was the lady Resnick was referring to when he got in trouble. Continue reading

To Ray, With Much Thanks

Today (August 22, 2020) marks the 100th anniversary of the birth of Ray Bradbury. If you’ll indulge a bit of nostalgia, I’m going to discuss the impact Ray had on my life.

It must have been the 6th grade, but it might have been the 5th. It’s been too many years now to be sure. One day in Mr. Thayer’s reading class, there was a guest waiting when we arrived from whatever class we’d been in before.

I don’t recall the gentleman’s name, but he was there to read to us. He told us was going to read a story by Ray Bradbury, who was a science fiction writer. Continue reading

Firing the Canon: An Appreciation of H. P. Lovecraft

I was going to do a review in honor of H. P. Lovecraft’s birthday (August 20, 1890-1937) , but then one of the usual suspects, a writer noted for ripping off writing in the styles of better writers from a previous generation ignited a small tempest in a teapot about the need of having a canon, or in his case, not having one. No, that’s not a typo in the title of this post. He wants to fire the canon, as in “You’re fired”. Those are my terms, not his, just to be clear.

So here are my thoughts, using the Gentleman From Providence as a key example since it’s become so fashionable to hate on him. And John W. Campbell, Jr., and Issac Asimov, and Robert E. Howard, and… Continue reading

Hester Howard Slept Here

Hester Jane Ervin Howard

I would like to thank John Bullard for his assistance in the preparation of this post.

Recently I was traveling through Carlsbad, Texas, something I’ve done many times over the years. There’s not much in Carlsbad, other than the San Angelo State Supported Living Center and some houses and churches, post office, and a few other establishments that owe their existence to the state facility. San Angelo is about fifteen to twenty minutes to the southeast.

I seemed to recall reading something about Robert E. Howard’s mother Hester having been a patient in a facility north of San Angelo, but it had been a while. Memory is a tricky thing, and I wanted to get confirmation. It happened that I was talking to John Bullard on the phone as I was passing through, so I asked him about it. He thought I was right, that Howard had mentioned such a thing in one of his letters. A few hours later he sent me the following excerpt from one of Bob’s letters. Continue reading

My Runnin’ Around Buddy Ain’t Around For Me To Run Around With No More

I knew this day was coming.

I’ve known it for years.

I knew it when we boarded a plane with the little butterball in Almaty, Kazakhstan. I knew it when we walked down the steps of the orphanage in Shemkent the day he officially became our son.

I knew the time would fly by. I didn’t know it would fly so fast. I knew today would be bittersweet. It didn’t know it would be this bitter nor this sweet.

Sunday my son and I left home. Today I came home alone.

My son starts college on Monday. He’ll be living with my mother-in-law, which will be good for both of them. I’ve spent the last few days helping him get settled and doing some chores my MiL needed doing. I am incredibly proud of my son. I’m not going to say his name or which college he’s attending out of respect for his privacy. He has turned into a fine young man. He still has some growing up to do, but compared to the typical college freshman I see, he’s ahead of them. He’s smart, charming, handsome. And since I had nothing to do with his genetics, I can brag on him without having to assume any false modesty.

The time has come when he has to stand or fall on his own merits. I’m putting aside the doubts and second-guessing that’s normal at a time like this. Whether there was something I could have done differently or better (there was, there always is), what’s done is done. There’s very little left I can do, at least unless/until I’m asked to.

I’m not worried. He’s turned out fine, in spite of his parents at times. He’s got a great future ahead of him.

F. Marion Crawford’s “For the Blood is the Life”

F. Marion Crawford

Today, August 2, marks the birth of Francis Marion Crawford (1854-1909). Although he wrote only a handful of short stories dealing with the supernatural and horror, he is still considered one of the best writers of ghost stories. If he had only written “The Upper Berth”, is place in the literature of the fantastic would be assured. The story was highly regarded by none other than H. P. Lovecraft, M. R. James, and H. Russell Wakefield. Highly regarded.

I’m going to look at one of my personal favorites, “For the Blood is the Life”.

Crawford uses the familiar technique of a tale within a tale. The story opens with an unnamed narrator (presumably Crawford) and an artist friend having dinner and enjoying a smoke on the roof a tower the narrator owns. It’s summer, and they are on the roof to escape the heat.

The artist is looking out over the land, and he sees a mound with what appears to be something on it. When the artist says the mound looks like a grave, the narrator confirms it is. He decides to go down and have a closer look at what’s on it. Continue reading