Category Archives: DAW books

Remembering Karl

It is December 12 as I write this. I’m trying to get final exams graded, but I’m taking a break to observe the birthday of Karl Edward Wagner (1945-1994). I think it’s that important ot acknowledge his achievements.

Karl Edward Wagner probably needs no introduction to anyone who reads this blog. He was one of the greatest writers of sword and sorcery and dark fantasy/horror of the Twentieth Century. We’ve not seen his like since, in my opinion.

Four fourteen years, he also edited The Year’s Best Horror Stories for DAW books. He took over the reins with volume VIII in 1980. The series ended with volume XXII with Karl’s death. Wagner didn’t limit his selections to top genre publications. He read all sorts of obscure publication to find the best horror stories each year.

If you can find copies, which is getting harder and harder to do, grab them. Not onlyl are they an excellent survey of horror in the eighteis and early nineties, but reading them is a great informal course in how to write effective horror. You’ll recognize many of the authors Wagner included, many before they became famous. Others will be new to you. Continue reading

James McGlothlin Reads Through DAW’s The Year’s Best Horror Stories

It’s been one of those weeks, so I missed this when it was posted on Tuesday over at Black Gate, but James McGlothlin will be reading through The Year’s Best Horror Stories, the series of annual anthologies published by DAW books from 1972-1994. They were successively edited by Richard Davis, Gerald W. Page, and Karl Edward Wagner. The series ended with Wagner’s death.

I met James McGlothlin at Howard Days a few years ago. He’s very knowledgeable about the fields of the fantastic and always has something interesting to say.

James recently finished up a series at Black Gate looking at Del Rey’s Best of series, one of my personal favorites. He did an outstanding job with those posts, even if he didn’t much like Eric Frank Russell, another one of my personal favorites. *sticks tongue out at James*.

The post linked to above is an introduction, so if you want to read along with him, there’s still plenty of time. Provided, of course, you either already have the first volume or can find a copy of it (that you can afford).

Here’s the picture James posted to <s>make your mouth water</s> encourage you to read along. (No, these aren’t my copies. I wish. I don’t this many although I’ve got over half of them.)

Of Editorial Greatness

Earlier today I was reading a post on a site I don’t normally read these days (I was lured by the temptation of a free ebook).  The post made the argument that John Campbell was the greatest editor the science fiction and fantasy fields have seen.

That got me to thinking, which usually gets me in trouble.  I began wondering who would be the greatest editor, greater being defined as having the most impact over time.  The original post didn’t include fantasy other than a passing reference to Unknown.  So I thought I’d throw the question open to anyone who wanted to voice an opinion.  Below is a list I compiled off the top of my head.  I didn’t include any living editors.  If I had, Ellen Datlow would be on it.  My rationale is that the impact of living editors on the can’t be accurately assessed because they are still having an influence and their greatest influences may still be to come.

 

So in alphabetical order are ten editors.  I’ll provide a brief explanation as to why they have been included.  Some will be quickly eliminated.  Others, not so much. Continue reading

Return to Sharakhai

Of Sand and Malice MadeOf Sand and Malice Made
Bradley P. Beaulieu
Daw Books
hardcover, 240 pages $18.00
ebook $9.99

I’d like to thank Bradley P. Beaulieu for providing me with the review copy.  I found reading the book to be rather frustrating, not because of any flaw in the story or writing.  Just the opposite.  Life has been chaotic for a number of reasons which are worth getting into.  I’ve been reading the book in snatches, with many interruptions.  I’ve wanted to simply dive in.  Unfortunately, that’s not what’s happened.

But I did manage to carve out some time to read most of the second half over the weekend and finished the last twenty pages tonight.  Of Sand and Malice Made is an excellent fantasy adventure.

It’s also a great introduction to the world of Shattered Sands, which we saw in the first volume of the series, Twelve Kings in Sharakhai (reviewed here).  You don’t have to have read that volume to enjoy this one.  Of Sand and Malice Made is a prequel, telling an adventure of Ceda before the tale of her quest for vengeance against the kings begins.  In fact the kings are hardly mentioned. Continue reading

I Wanna Be a Paperback Writer

Think of this post as what’s been falling out of the holes in my head lately.  I’m working on a story with a deadline.  Late last week I figured out why it had stalled and how to fix it; I’ve gotten a few thousand words done over the last couple of days.  I figure I’m about half done unless the thing goes in an unexpected direction (again).

But that means I’m not getting as much reading done as I usually do.  Lately my habit has been to read one novel in print form (usually a review copy) while reading something else on the phone’s ereader app (usually when I have time on my hands and am not at home), plus assorted nonfiction as I can fit it in.  I’m not making much progress on the current paper novel.

renegade or kregenI’m enjoying it quite a bit, but it’s rather thick.  So I’ve been thinking a lot lately, in odd moments here and there, about how things have changed since I was a kid.  (It’s a requirement for me to earn my Geezer Merit Badge.)  As a teenager, there were paperback books all over the place, for sale in a variety of venues.  Most of them were around 200 pages in length, if not slightly less.  I could finish one of them in a day or two.  They had bright, eye-catching covers and (although I hadn’t yet encountered the term) were full of all kinds of pulpy goodness.  (I’m looking at you, DAW books.)  Swords, monsters, NSGs.

And it wasn’t just science fiction  and fantasy, either.  There were plenty of mystery and thriller titles around (Fawcett Gold Key, anyone?), although I really didn’t get into those until I was an adult fully grown. Continue reading

Bradley Beaulieu Knocks it Out of the Park

Twelve Kings in SharakhaiTwelve Kings in Sharakhai
Bradley P. Beaulieu
DAW Books
Hardcover $24.95, ebook $9.99, audiobook $14.68
Available September 1, 2015

If you’ve read this blog for a while, you’ll know I’m a big fan of Bradley P. Beaulieu.  So when he asked me if I would be interested in an advance ebook for review purposes, there was only one answer.  (Many thanks, sir.)

Twelve Kings in Sharakhai is the first volume in The Song of Shattered Sands.  It’s an ambitious book, and it’s clear that the series is going to be ambitious.

Now, I’ve long said that writers, in an ideal world at least, should continue to improve and get better as time goes on.  If the quality of the first book is any indication, this is going to be a major series.  I loved The Lays of Anaskaya, but The Song of Shattered Sands looks to be even better.

I’ll explain why after I give you a brief description of the setup. Continue reading

Transiting to Scorpio

Transit to ScorpioTransit to Scorpio
Dray Prescott #1
Alan Burt Akers (Kenneth Bulmer)
ebook $2.99 Kindle $0.00 (free as of this writing) Nook

Sword and Planet is one of the more neglected subgenres of science fiction.  Or fantasy if you prefer.  It tends to be a blend of both, with examples that tend more towards one or the other.

The Dray Prescott series is one of the longest running, with a total of 53.  Of these, DAW books published the first 37.  The remaining titles were published in German, although a few more have been released electronically in English.   According to the Dray Prescott site, all of the remaining volumes are being reprinted in English this year.

The stories concern an English sailor, the titular Dray Prescott, who through means that are not well explained, is transported instantaneously to the planet Kregen.  Kregen orbits the star Antares in the constellations Scorpio. Continue reading