Category Archives: H. P. Lovecraft

You’re Offended?

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I’m gonna rant.

There was a post the other day that I’m not going to link to because I don’t want to give the site the clicks.  Fortunately someone archived it.

TL;DR version:

The author, one Matt Mikalatos, laments that rereading a childhood favorite (The Once and Future King by T. H. White) didn’t live up to his expectations, specifically there were some things said that he found to be racially insensitive.  I’ve never read the book, so I can’t say for sure.  He’s specific enough that I’m willing to give him the benefit of doubt. Continue reading →

Pre-Tolkien Fantasy: H. P. Lovecraft in Observance of His Birthday

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H. P. Lovecraft

I’d intended to post my next review for the Pre-Tolkien Fantasy Challenge over the weekend, but I was a lazy bum.  Since today is Lovecraft’s birthday (also my mother-in-law’s), I postponed that post to discuss Lovecraft and Tolkien in general terms.

First, their similarities.  They are arguably the two most influential writers of the fantastic of the previous century.  Their influence is considerable decades after their deaths.  Much of what is written in fantasy today, especially in the epic fantasy, multiple volume “trilogy” format is a reaction/rebellion to Tolkien.  Much Lovecraftian fiction is in reaction to Lovecraft’s work, whether stylistically or in response to some attitude Lovecraft held. Continue reading →

Of Editorial Greatness

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Earlier today I was reading a post on a site I don’t normally read these days (I was lured by the temptation of a free ebook).  The post made the argument that John Campbell was the greatest editor the science fiction and fantasy fields have seen.

That got me to thinking, which usually gets me in trouble.  I began wondering who would be the greatest editor, greater being defined as having the most impact over time.  The original post didn’t include fantasy other than a passing reference to Unknown.  So I thought I’d throw the question open to anyone who wanted to voice an opinion.  Below is a list I compiled off the top of my head.  I didn’t include any living editors.  If I had, Ellen Datlow would be on it.  My rationale is that the impact of living editors on the can’t be accurately assessed because they are still having an influence and their greatest influences may still be to come.

 

So in alphabetical order are ten editors.  I’ll provide a brief explanation as to why they have been included.  Some will be quickly eliminated.  Others, not so much. Continue reading →

Robert Bloch at 101

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Today, April 5, is Robert Bloch’s birthday.  He was born in 1917.  For those of you who are poor at math, not sure what day/year it is, or didn’t read the title of the post, that would make him 101 today if he were still alive.

Bloch was one of the most influential writers of horror, crime, and science fiction of the last century. He wrote a number of novels, the most famous being Psycho.  And while the Hitchcock film is deservedly considered a classic, you should give the book a try if you haven’t read it. There are some differences. Bloch’s written sequels have nothing to do with the film sequels.

In my mind, though, Bloch was better as a short story writer.  The reason I think that may be in part because I’ve a fondness for short fiction.  He started writing for Weird Tales when he was just 17, IIRC.  While is early stuff is pretty rough around the edges, it was no worse that what Farnsworth Wright was buying at the time, and soon became better than much of the stuff by authors long forgotten. Bloch was an earlier correspondent of Lovecraft.  Much of his early work was lovecraftian pastiche. He soon developed his own voice and went on to write some great horror and dark fantasy fiction, such as “Yours Truly, Jack the Ripper”, “The Man Who Collected Poe”, and the Hugo Award winning “The Hell-Bound Train”. If Bloch had any faults, it was that he couldn’t stand Robert E. Howard’s Conan.  (That’s a pretty big fault, if you ask me, but Bloch’s body of work is sufficiently good that I’m willing to overlook it.)

Over the last few years I’ve gotten into the habit of blogging about an author’s work on their birthday.  At the moment, I’m swamped with the day job and slowly going under.  That’s why it’s been like a ghost town around here lately.  I’ve either not had the time to write (blog posts or fiction) or not had the energy when I had the time.  So, no, I’m not dead.  (Sorry to disappoint some of you.)  I’ve just been dealing with Real Life.

I’m hoping to read something short this evening.  If so, I’ll try to post about it here once I get this mountain of exams graded.  I hope to do that, but I may not be able to pull it off.

But don’t let that stop you from raising a glass is Robert Bloch’s memory and celebrating his work by reading a short story or two.

The Love Child of Chandler and Lovecraft Has a Sibling

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Casefile Arkham: Her Blood Runs Cold
Josh Finney, writer
Patrick McEvoy, artist
Kat Rocha, editor
01Publishing
paperback $19.99
ebook $7.99

I really liked the first volume of Casefile Arkham. I like this second volume even better. But before I get into the reasons why, I need to remember my manners and thank Kat Rocha for sending me the review copy. I had intended to post this review early last week, but last week sucked rocks.  And not just because of things you saw on the news.

But I digress. Let’s focus on the story at hand. Continue reading →

The Love Child of Chandler and Lovecraft

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Casefile Arkham: Nightmare on the Canvas
Writer: Josh Finney; Art: Patrick McEvoy; Editor: Kat Rocha
01PUblishing
Paper $14.99; Ebook $7.99

I’d like to thank Patrick McEvoy and Kat Rocha for the review copy.  If you like Raymond Chandler, or just classic PI stories in general, and are into all things Lovecraft, then this is a graphic novel for you.

The team of Finney, McEvoy, and Rocha have launched a series (yes, it’s a series; more on that later) that lovingly blends the best elements of both.

Set in Lovecraft’s fictional town of Arkham in 1946, the story follows former marine Hank Flynn as he tries to establish his life as a civilian in his home town. He’s working as a private investigator. When he’s hired by a beautiful and wealthy widow to find a missing painter, his life takes a turn for the eldritch. The painter’s name? Richard Pickman. Continue reading →

Another Lovecraft Birthday

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Another year has passed, and it’s Lovecraft’s birthday again. (It’s also my mother-in-law’s but that’s beyond the scope of this post.) I’ve been planning a post on Lovecraft (yes, Dave H., the one we discussed at Howard Days and Armadillcon), but it’s not the right time for it. It’ll piss people off. Trust me.

Howard Phillips Lovecraft was born on August 20, 1890, in Providence, Rhode Island. He was one of the most influential writers of the weird and fantastic of the 20th Century.

I was thinking the other day about my own writing, and I realized that I have written more fiction with lovecraftian themes in the last year than I have in all other years combined. No, you can’t read these stories. They haven’t been published, although not for lack of trying. Two are under consideration and one isn’t quite finished.

I’ve seen more anthologies devoted to Lovecraft’s works this year. Maybe I’m just paying more attention, but it seems like there’s not going to be a decline in interest in his works.

I will make this observation, though. I don’t see a lot of middle ground with Lovecraft these days. Among the people who are familiar with his work, and by familiar I mean have actually read his stories as opposed to hearing about them from others, people seem to either love him or hate him.

That is influence.

Happy Brithday, Farnsworth Wright

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Weird Tales editorial office, l. to r., unknown, Farnsworth Wright, Henry Kuttner, Robert Bloch

By the time of his death in 1940, Farnsworth Wright had become one of the most influential editors the field of the fantastic would ever see. Wright was born in 1888 on July, 29.  I would argue his influence on science fiction, fantasy, and horror has been greater than any other editor, including John W. Campbell, Dorothy McIlwraith, Fred Pohl, Ray Palmer, or Hugo Gernsback.

Yes, I realize that last sentence could be controversial, especially the inclusion of Campbell and Gernsback.  So be it.  Farnsworth Wright edited Weird Tales during what is considered to be the magazine’s golden age.  The authors he published have had a greater impact on the literature of the fantastic than those of any other editor at any time in history. Continue reading →

Chicken Fried Cthulhu

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Hey, folks, the Chicken Fried Cthulhu Kickstarter has 25 hours left as I write this and is still a ways from funding.  This is an anthology of southwestern flavored Cthulhu and Lovecraft themed stories.  It’s set to premiere at the World Fantasy Convention in San Antonio this year.

If it funds.  It’s from the same crew that brought you Skelos, and there’s an impressive lineup of authors listed, including Robert E. Howard and Joe Lansdale.  Part of the reason the goal is so high is that the editors want to pay the authors professional rates, and that takes money.

So if you’ve been thinking about pledging, please do so.  I would really like to see this project get off the ground.  I am not an author in the anthology and my only connection to the project is that I’m friends with the guys putting it together.  I just want to read the stories.

What Do H. P. Lovecraft and John W. Campbell, Jr. Have in Common?

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Things From Outer SpaceThings From Outer Space
Hank Davis, ed.
Baen
mass market paperback $7.99
ebook $6.99 Amazon, $8.99 publisher’s website

This book came out at the end of August.  I’m still reading it, so this isn’t going to be a review of the whole book.  That will come after I finish reading it.  I am going to discuss John Campbell, Jr.’s classic “Who Goes There?”, which is the lead story and the inspiration for the anthology.

I’m also going to discuss H. P.. Lovecraft’s “At the Mountains of Madness”.  That’s not the Lovecraft story in the book, btw.  Davis chose “The Colour Out of Space”.  Probably because it fit the theme better than AtMoM.

I have read somewhere, and it was long enough ago that I don’t recall where, that Campbell may have been inspired to write “Who Goes There?” after reading “At the Mountains of Madness” in Astounding Stories in 1936.

I don’t know if this is true, but there are some strong similarities between the stories.  There are some key differences as well. Continue reading →