If the birthdays and the day job both slow down at the same time, I’ve got a review of a Joseph Payne Brennan collection to run. Until then, let’s look at four birthdays that fall on this date (August 1).
We’ll start with M. R. (Montague Rhodes) James (1862-1936). He’s the master of the classic English ghost story. His only potential rivals to that title might be H. R. Wakefield or E. F. Benson. (What is it with these English ghost story writers and initials, anyway? Must have been something in the water.) Many of James’s s stories dealt with antiquarians who stuck their noses in places they shouldn’t and disturbed things best left alone. Full of atmosphere, the ghost stories of M. R. James are worth reading. Most anthologies of classic ghost stories will have one of his tales, and there are a number of electronic and print editions available.
David Gemmell (1948-2006) is no stranger to these parts. The now defunct David Gemmell Awards were established in his honor. Gemmell’s first novel, Legend, is now a classic in the field of heroic fantasy. Gemmell is someone I’ve only read bits and pieces of, coming to his work only in the last couple of decades. I had the pleasure of meeting him at the 2000 World Fantasy Convention in Corpus Christi. I got to listen in on him and Jane Lindskold discuss Louis L’Amour and his influence on their own writing.
Our editor for today is somewhat problematic. As the discerning blog reader will discern from the title of this post, I’m talking about Raymond A. Palmer (1910-1977). (No, he was named after the DC Comics superhero, The Atom. It was the other way around.) Palmer was the editor of Amazing Stories, founded the short-lived Other Worlds Science Fiction (which published Eric Frank Russell’s classic “Dear Devil”), and later became the editor of Fate a publication which specialized in UFO’s and other pseudo-scientific phenomena.
Palmer receiver a piece of fiction from Richard Shaver in which Shaver claimed to have knowledge of an ancient and malevolent civilization hiding in caverns deep under the surface of the Earth. Palmer published it, and many other stories soon followed. Sales skyrocketed. The thing is, Shaver actually believed this tripe, and apparently so did many of the readers. I’m not sure if Palmer ever completely bought into what came to be called The Shaver Mystery or if he was cynically doing whatever he needed to in order to boost sales. Doesn’t really matter at this late date. Palmer and Shaver did a lot of damage to the science fiction and fantasy fields with their insistence that all of this was real.
Finally, we come to one of my favorite artists, Edd Cartier (1914-2008). Cartier’s work graced the pages of Astounding and Unknown during John Campbell’s tenure as editor. He had a distinctive and whimsical style that was really unique and fun. Here’s some of his work.
Is the third one of those illustrations for Jack Williamson’s Golden Blood? It looks familiar… or maybe it’s Darker than you think?
It appears to be Darker Than You Think. But it could be Golden Blood. I’ll have to do some digging and see if I can find out.
it wasDarker, which appeared inUnknown. Golden Blood appeared in Weird Tales, and I don’t think Edd every worked for them.
He did work for Palmer on occasion. He illustrated one (or more, of the Hoka stories that appears in one of the incarnations of Other Worlds.
By the way, OW lasted nearly ten year, which was a pretty good run of a 1950s stf mag.
Thanks for the info. I didn’t realize Other Worlds had lasted that long. I thought it was only around for a couple of years.
” I got to listen in on him and Jane Lindskold discuss Louis L’Amour and his influence on their own writing.”
As you know Gemmell is one of my favourite writers. As is L’Amour. I grew up reading L’Amour stories. My dad introduced his work to me. I have a lot to thank my dad for because he also introduced me to REH and REB, among a few others.
Unfortunately, I only came to Gemmell’s work after his death but reading that L’Amour influenced his own writing created a full-circle moment for me. It effectively confirmed the ambience of my reading and writing life and reminded me where I came from if this makes any kind of sense.
It makes perfect sense. I never got into L’Amour much because my brother read him a lot. And as everyone knows, if your brother likes something, it can’t be any good. 🙂 I’ve read a little L’Amour and liked it. I definitely want to read more Gemmell.
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