Tag Archives: birthday

Remembering Charles L. Grant

Charles L. Grant

September 12, AKA today, is the birthday of Charles L. Grant (1942-2006). Grant was a practitioner of what is known as quiet horror. It’s the type of horror I prefer. In addition to being an amazing writer, he was one of the most influential anthology editors of the late 1970s and 80s.

I first became aware of Shadows, the groundbreaking anthology series he edited when I was in the 8th grade.  We had recently moved to Paris, TX.  The public library had a good selection of anthologies for a library of that size in those days, including at least one, and probably more, titles from the Shadows series. The first volume I read was Shadows 3. I was hooked. I hunted down the others, especially Shadows 2, which had “The Chair” by Jane Cozart and Alan Dean Foster, Foster being my favorite writer at the time.  This was about a year before I discovered Kuttner and Brackett. Continue reading

Le Fanu, Vance, Kirby, and McIntyre

Today, August 28, marks a number of birthdays in the fields of the fantastic. I’m going to focus on four of them. This was the first week of classes, and things have been hectic to a greater degree than normal. That is to say, I haven’t slowed down long enough to read anything by any of these folks. In spite of that, I would like to recognize them. Continue reading

A Birthday Recognition for Two Ladies.

I can say that, can’t I? “Ladies”, I mean. If that verboten? I mean Mike Resnick and Barry Malzberg got in all kinds of trouble for referring to a “lady editor”, but Mary Robinette Kowal, who (I think) was leading the charge against those two has a series about a lady astronaut with the word “lady” in the title. I’m so confused.

I guess the lesson is you ain’t gonna please everybody, so you might as well please yourself.  I’m gonna please myself be recognizing two ladies who have left their mark on the field were born on this day, August 24. The first was Alice B. Sheldon (1915 -1987), who wrote under the pen name of James Tiptree, Jr., and Bea Mahaffey (1926-1987), who was the lady Resnick was referring to when he got in trouble. Continue reading

To Ray, With Much Thanks

Today (August 22, 2020) marks the 100th anniversary of the birth of Ray Bradbury. If you’ll indulge a bit of nostalgia, I’m going to discuss the impact Ray had on my life.

It must have been the 6th grade, but it might have been the 5th. It’s been too many years now to be sure. One day in Mr. Thayer’s reading class, there was a guest waiting when we arrived from whatever class we’d been in before.

I don’t recall the gentleman’s name, but he was there to read to us. He told us was going to read a story by Ray Bradbury, who was a science fiction writer. Continue reading

Firing the Canon: An Appreciation of H. P. Lovecraft

I was going to do a review in honor of H. P. Lovecraft’s birthday (August 20, 1890-1937) , but then one of the usual suspects, a writer noted for ripping off writing in the styles of better writers from a previous generation ignited a small tempest in a teapot about the need of having a canon, or in his case, not having one. No, that’s not a typo in the title of this post. He wants to fire the canon, as in “You’re fired”. Those are my terms, not his, just to be clear.

So here are my thoughts, using the Gentleman From Providence as a key example since it’s become so fashionable to hate on him. And John W. Campbell, Jr., and Issac Asimov, and Robert E. Howard, and… Continue reading

F. Marion Crawford’s “For the Blood is the Life”

F. Marion Crawford

Today, August 2, marks the birth of Francis Marion Crawford (1854-1909). Although he wrote only a handful of short stories dealing with the supernatural and horror, he is still considered one of the best writers of ghost stories. If he had only written “The Upper Berth”, is place in the literature of the fantastic would be assured. The story was highly regarded by none other than H. P. Lovecraft, M. R. James, and H. Russell Wakefield. Highly regarded.

I’m going to look at one of my personal favorites, “For the Blood is the Life”.

Crawford uses the familiar technique of a tale within a tale. The story opens with an unnamed narrator (presumably Crawford) and an artist friend having dinner and enjoying a smoke on the roof a tower the narrator owns. It’s summer, and they are on the roof to escape the heat.

The artist is looking out over the land, and he sees a mound with what appears to be something on it. When the artist says the mound looks like a grave, the narrator confirms it is. He decides to go down and have a closer look at what’s on it. Continue reading

Cave’s “Black Gargoyle”

Pulpster Hugh B. Cave (1910-2004)  was born on this date, July 11. Cave wrote for a variety of pulps in the 1930s, including Black Mask and Weird Tales. He was prolific enough that he used multiple pen names, the most famous being Justin Case. He was a war correspondent during WWII. After the war he bought a coffee plantation in Jamaica. During this period his writing shifted from the pulps, which were fast on their way out, to writing for the slicks, primarily what would be called “women’s fiction” today and was considered romance at the time.

Karl Edward Wagner’s Carcosa published some of Cave’s stories from the horror and fantasy in Murgunstrumm and Others in the 1970’s. This opened the door to him returning to weird fiction. Cave was experiencing something of a renaissance in the early 2000’s, with collections of his pulp stories from Fedogan and Bremer and Ash-Tree Press, among others, in addition to a steady output of novels. He passed away shortly after his autobiography, Cave of a Thousand Tales, was published.

For his birthday, I read “The Black Gargoyle”. It was the cover story for the March 1934 issue of Weird Tales.   It is available in the collection of the same name. Continue reading