Tag Archives: H. P. Lovecraft

Klar-Kash-Ton

Today, January 13, is the birthday of one of the greatest writers of fantasy of the Twentieth Century or any other. Clark Ashton Smith (1893-1961) was one of the big three in what many consider to be the best years of Weird Tales. The other two are Robert E Howard and H. P. Lovecraft.

I last looked at some of Smith’s work last summer when I reviewed Zothique from the Ballantine Adult Fantasy series. I had started Hyperborea, which was the next volume Lin Carter published in that line, but summer school started. Trying to figure out how to teach online in a summer session was time consuming, and I never got back to it.  I’m going to try to get back to in sometime in the next few months.

Smith doesn’t seem to be as well-known these days as REH and HPL. Part of that, I think, is because his writing isn’t light and breezy. Neither are Howard’s nor Lovecraft’s, but Smith used a vocabulary that was extensive. As a result reading him can be something of a challenge. You see, kids, back in the day, we had these things called dictionaries, and anytime we didn’t know what a word, meant, well, we just looked ’em up. Now git off my lawn.

I’m not sure what story of Smith’s I’m going to read tonight. Maybe I’ll reread “The City of the Singing Flame”. It was the first story by CAS I ever read. I was in the seventh grade, and the junior high library had a nice collection of Robert Silverberg anthologies. It was in one of those.

Regardless, I’ll raise my glass to Clark Ashton Smith and enjoy some of his fiction this evening.

Who Are the Giants?

So yesterday’s post on Edgar Rice Burroughs and Harold Lamb and the recent post on the canon, coupled with today is the anniversary of the passing of J. R. R. Tolkien and the seventh anniversary of the death of Frederik Pohl, got me to thinking. I referred to Burroughs and Lamb as giants. In the canon post I quoted Newton talking about his achievements being due to his standing on the shoulders of giants.

So who exactly are the giants in the field? Continue reading

Firing the Canon: An Appreciation of H. P. Lovecraft

I was going to do a review in honor of H. P. Lovecraft’s birthday (August 20, 1890-1937) , but then one of the usual suspects, a writer noted for ripping off writing in the styles of better writers from a previous generation ignited a small tempest in a teapot about the need of having a canon, or in his case, not having one. No, that’s not a typo in the title of this post. He wants to fire the canon, as in “You’re fired”. Those are my terms, not his, just to be clear.

So here are my thoughts, using the Gentleman From Providence as a key example since it’s become so fashionable to hate on him. And John W. Campbell, Jr., and Issac Asimov, and Robert E. Howard, and… Continue reading

Reflections on the Retro Hugos

Leigh Brackett

I’ve decided I’m not going to do a post on Henry Kuttner’s “A God Named Kroo” for the Retro Hugos.  I reviewed it a few years ago here. I’ve got too much Real Life stuff going on, and the winners were announced yesterday. At least I saw a notice last night after posting about Brackett’s “The Jewel of Bas“.  That was the one I was hoping would win.  Brackett did win in the novel category (which I might review because Brackett) and Best Related Work.

I hadn’t paid much attention to the other categories. I’m not a member of Worldcon and am not likely to be anytime in the foreseeable future. So it was entertaining to see the reactions on Twitter today.

Seems the wrong people won some of the awards. Continue reading

A Pair by Price

E. Hoffman Price

Pulpster E. Hoffman Price (1898-1998) was born on this date, July 3. Hoffman wrote in multiple genres. Wildside Press has published multiple Megapacks of his work. We’ll look at two stories from The 11th Golden Age of Weird Fiction Megapack: E. Hoffman Price.

Before I get to the stories, I want to gloat for a bit. Price was one of the authors published by Carcosa Press back in the 1970s.  Far Lands, Other Days was one of four published before Carcosa folded.

L. Sprague de Camp moved to Plano, a suburb of Dallas, a few years before he died. Upon his death, many of his books ended up in a the flagship location of Half Price Books. This was a big deal that was promoted by the bookstore.

Of course I went.  Most of the really desirable items were locked under glass, such as volumes inscribed to de Camp by people like Heinlein. Others, books that de Camp had owned, many with a signed bookplate, were on a set of shelves. Among them was a copy of Far Lands, Other Days. I had been wanting a copy and grabbed it.

After I got it home (I paid for it.), I was looking through it a bit more carefully than I had in the store and saw something I’d missed. The employee who had processed and priced the book had missed it, too. Understandable since it wasn’t on the title page. But there was a full page inscription to de Camp signed by Price. Continue reading

“Beyond the Black River: Is It Really “Beyond the Brazos River”? Part 3

This is the third of a three part series of guest posts by John Bullard. Before I turn the blog over to John, I would like to take a moment and thank him for all the work he has done not only researching and writing this series, but his editing of the Howard letters for the next edition of the collected letters.  It’s this type of behind the scenes efforts that often go unacknowledged.  So John, on behalf of Howard fans and scholars everywhere, thank you.

Click the links to read Part 1 and Part 2.  Be advised there are spoilers.

Now here’s John.

In Part 2, we saw some of the historical Texans and their stories that Howard used to base incidents in his story “Beyond the Black River” on, hereinafter referred to as BBR. We also saw that Howard’s life-long love of talking to and learning these stories from old people he would meet saturated his thoughts and dreams, leading him to create other incidents and characters in the story. In this final part, we will see the one story that influenced Howard the most in writing BBR, and then his use of historical people that his ancestors interacted with from family histories which he used to flesh out his story. Finally, we’ll see his use of a famous incident in Texas history to bring BBR to an end, clearly showing that BBR was indeed a story about the settlement of Texas, and not a story taken from the American Colonial wars with the Eastern First Nations. Continue reading

“Beyond the Black River”: Is It Really “Beyond the Brazos River”? Part 2

What follows is a guest post by John Bullard.  Take it away, John.  And by the way, there are spoilers.  You have been warned.

In Part One, we began to examine the historical incidents and people from Texas history that Howard used in creating his story, “Beyond the Black River”, hereinafter abbreviated as BBR, grounding the tale as a story about the settling of Texas and not about the American Colonists fighting with the Eastern First Nations. We saw that Howard was particularly interested in the history of the settlement of Comanche lands in Central and North Central Texas by Anglo settlers, and started using the long years of conflict as the foundation for his creating his Conan story of “Beyond the Black River”. He used the general geography of the Texas lands bounded by the Trinity and Brazos rivers and transposed it into the woodland setting of the story bounded by the Thunder and Black rivers. Finally, it was shown that Howard used the actual incident of the destruction of Fort Parker by the Comanche and Kiowa in 1836 as the destruction of the fictional Fort Tuscelan in “Beyond the Black River”. Now, we will look at some of the peoples and stories of Texans fighting for survival against the Comanches who were waging their own war to keep their lands. Continue reading

“Beyond the Black River”: Is it Really “Beyond the Brazos River”? Part 1

What follows is a guest post by John Bullard.  It is the first of three parts and contains spoilers for Robert E. Howard’s “Beyond the Black River”.

Weird Tales, May 1935, first installment of “Beyond the Black River”

Robert E. Howard’s Conan story, “Beyond the Black River” is considered to be one of his best stories by his fans. It tells of an attack by Howard’s favorite historical peoples, the Picts, against the encroaching colonization of the Aquilonians on the Picts’ deeply forested land between the Thunder River to the East, and the Black River to the west in his fictional Hyborian world setting. It is well-known that Robert E. Howard used historical events, people, places, and the stories of people he knew to help inspire his writing, giving his stories a grounding in realism that stories just made up from whole cloth may sometimes lack. In “Beyond the Black River”, Howard used his knowledge of Texas’s history and people, as well as his family’s history, to make the story as realistic as possible in a fantasy setting. Continue reading

Blackwood’s “The Wendigo”

British author Algernon Blackwood was born on this date, March 14, in 1869. Blackwood was a major influence on many writers of the weird tale in the early years of the 20th Century, including H. P. Lovecraft and Robert E. Howard.

Along with “The Willows”, “The Wendigo” is one of Blackwood’s best known tales.

It concerns a group on a moose hunting expedition in the Canadian wilderness.  A psychiatrist, his nephew, two guides, and a cook are having no luck on their hunt, so they decide to split up.  The uncle and his guide go west, the nephew and his guide canoe across the lake they are camped by and hike some distance to another lake, and the cook stays in the base camp await their return. Continue reading

Brief Reflections on August Derleth

August Derleth

Today, February 24, marks the birth of August Derleth (1909-1971). He founded Arkham House publisher to keep the work of H. P. Lovecraft in print. For this we all owe him a great debt of gratitude.  Derleth was something of a controversial figure in the field for the way he handled the literary estate of H. P. Lovecraft, especially his “posthumous collaborations” in which he completed some stories Lovecraft left unfinished at his death.

My purpose with this post is not to focus on Arkham House, but on an aspect of Derleth’s legacy that is sadly neglected today, and that’s his work as a writer of weird fiction.

It’s been over a decade since there was a collection of Derleth’s work published. I did a quick check online, and the starting price for a collection of his ghost stories was $200.  Too rich for my blood.

I was going to review a couple of short pieces I have in anthologies, “Muggeridge’s Aunt” and “The Shuttered House”. Both were fairly standard ghost stories.  While not rising to the level of a James or Wakefield, they were still well told and provided a pleasant way to while away a few spare minutes. The problem is the former isn’t readily available in either electronic or print format, and the latter is only in a facsimile of The Avon Fantasy Reader Number 1. For these birthday posts, I’m not going to review stories that aren’t readily available.

I would hope some ambitious publisher would take a chance and produce an inexpensive collection, or better yet a set, of Derleth’s weird fiction.