Today is August 16. This will be a short post because I was in new faculty orientation all day, and my brain is tapioca. I do want to point out the birthdays of two people, Hugo Gernsback and Diana Wynne Jones. Continue reading
Earlier today I was reading a post on a site I don’t normally read these days (I was lured by the temptation of a free ebook). The post made the argument that John Campbell was the greatest editor the science fiction and fantasy fields have seen.
That got me to thinking, which usually gets me in trouble. I began wondering who would be the greatest editor, greater being defined as having the most impact over time. The original post didn’t include fantasy other than a passing reference to Unknown. So I thought I’d throw the question open to anyone who wanted to voice an opinion. Below is a list I compiled off the top of my head. I didn’t include any living editors. If I had, Ellen Datlow would be on it. My rationale is that the impact of living editors on the can’t be accurately assessed because they are still having an influence and their greatest influences may still be to come.
So in alphabetical order are ten editors. I’ll provide a brief explanation as to why they have been included. Some will be quickly eliminated. Others, not so much. Continue reading
Once again, it’s that time of the year. Award season.
And there’s one award that stands out above all the others.
It’s voted on by the fans. And not just fans in the US, either. Fans from all over the world can vote on it, making it an international award.
All fans are welcome.
The award comes with a gorgeous trophy.
It seeks to recognize the best writing and artistry in the field. Continue reading
I was indulging one of my vices (reading other people’s blogs, Sarah Hoyt’s in this case) and noticed in the comments a quote from a different blog. That particular quote had some disparaging thing to say about the Gemmell Awards. I’m not going to bother linking to the quoted blog because I’m not directly responding to the argument there, which concerned the number of white male authors nominated for awards, specifically the Hugos. I will quote the relevant passage, because it’s representative of a pretty common attitude. It also kicked off a train of thought that should be addressed. Namely, the how relevant the Hugos are compared to the Gemmells.
The Gemmell Awards are named after David Gemmell and focus on heroic fantasy. The Hugo Awards are named in honor of Hugo Gernsback, who published the first magazine devoted entirely to science fiction, Amazing Stories. The Gemmell Awards specialize in heroic fantasy, while the Hugos encompass the entire sff field.
Huog Gernsback
Here’s the quote:
“Why not just let the works speak for themselves?”
The issue is that when we let the works speak for themselves, we wind up with the Gemmell Awards: 70,000 votes (several orders of magnitudes greater than the Hugos), and every single nominee for Best Novel is a White Dude. Every best debut novel is a dude, most of them white.
Of course these comments are totally bogus. I’ll explain why in a second. But it got me to thinking, always a dangerous thing.
In case you haven’t been paying attention, in addition to the shortlist for the Gemmell Awards, the shortlist for the Hugo Awards, was announced recently. And the internet has been having a major hissy fit ever since.