Category Archives: Pyr books

Breaking Someone Out of The Prison in Antares

Prison in AntaresThe Prison in Antares
Mike Resnick
Pyr Books
Paper, 287 p., $18.00/$19.00 CAN
ebook $11.99

I’d like to thank the good folks at Pyr Books for sending me the review copy of The Prison in Antares.  I think I enjoyed it more than its predecessor The Fortress in Orion.

The Dead Enders have barely recovered from their previous case when they’re called on to infiltrate a prison in the Transeki Coalition.  The Coalition has captured Edgar Nmumba.  Nmumba is the only person who knows how to counter the Q bomb, a devasting weapon that the Coalition has been using to wipe out entire planets.

The prison is two miles below the surface of a planet behind enemy lines.  Initially that’s all they know.  They’ve got to locate the planet, then the prison, figure out a way to get in, and either get Nmumba out or kill him if they can’t.  And they’ve got to do it before Nmumba breaks under interrogation. Continue reading

Visit The Fortress in Orion

Fortress in OrionThe Fortress in Orion
Dead Enders Book I
Mike Resnick
Pyr Books
Trade Paper $18.00, 300 p.
Ebook $11.99 Kindle Nook
Audiobook $19.95
audio clip (15 min.)

Mike Resnick is one of the most prolific and honored people in the science fiction and fantasy field.  It’s easy to understand why.  The man’s work is innovative, engaging, and one heck of a good story.

Probably his most significant body of work is the Birthright Universe, which first saw light in the 1970s in Birthright:  The Book of Man.  This was an outline of roughly 18,000 years, culminating in mankind’s extinction.  That’s a lot of room to play in.  Not surprisingly, most of Resnick’s novels and many of his short stories are set in this universe.

The Birthright Universe is divided into five periods, based on the political structure of the time:  Republic, Democracy, Oligarchy, Monarchy, and Anarchy.  The Fortress in Orion is set during the Democracy.  It’s the start of what promises to be a solid series.

Colonel Nathan Pretorious is the kind of special forces operative you turn to when it’s already too late.  He’s tasked with putting together a team to try and infiltrate the Traanskei Coalition, specifically a particular fortress in Orion.  Once there, he and his team are to replace the leader, General Michkag, with a clone.  If they can get out, they bring the original with them.  If not, they kill the original Michkag and leave the clone in his place.  The clone has been thoroughly trained to take over and will end the war within a year. Continue reading

Coming Home to the Moon

Apollo’s Outcasts
Allen Steele
Pyr Books
Hardcover, $16.95, 330 p.
ebook  $9.99 Kindle Nook

Jamey Barlowe was born on the Moon, in the lunar colony Apollo, but has lived almost all of his life on Earth.  For his sixteenth birthday, he’s going back.

He doesn’t know this, and it’s not the sort of birthday surprise you want to have.  Jamey’s father works for the International Space Consortium.  Dad has just become a wanted man along with a number of his coworkers.  They signed a petition protesting a position taken by the Vice-President.  The President has just died, allegedly by assassination, and the new Commander in Chief is rounding up her political enemies. 

Jamey and one of his sisters, along with the children of several ISC employees, are hurriedly evacuated.  Jamey’s other sister gets bumped from the ride to make room for a girl named Hannah. 

Jamey doesn’t realize just how much his life is about to change, nor how much he’s about to be forced to grow up.  None of the kids do.

Jamey has been unable to walk on Earth; it’s a common result of being born on the Moon.  His legs aren’t strong enough to support his weight in terrestrial gravity.  Once he gets to the Moon he makes up for lost time.

Apollo’s Outcasts is a what we used to call a juvenile but these days is known as YA.  It’s very much in the vein of the classic Heinlein juveniles, and that’s a good thing.  We could use some more of that type of science fiction. I was at times reminded of “The Menace from Earth”, Space Cadet, and Have Spacesuit, Will Travel.  To name a few.

Steele does an excellent job developing Jamey’s character as well as that of his friends.  They all grow and mature, and usually not without cost.  More than one will not live to the end of the book, and the survivors have to learn to cope with death and grief.  The story moves along at a good clip, and there’s enough gosh-wow moments to keep things interesting when the action slows down.

There’s also plenty of action, especially when the political situation deteriorates to the point that the rogue President sends troops to the Moon to take over the colony.  By this time, Jamey is a member of the Rangers, and while they weren’t intended to be a military force, they take on that role.

Steele has done his research on what a lunar colony would probably be like, which lends an air of verisimilitude to the book.  In fact, the only place I had a problem was in Jamey’s disability on Earth.  I would have thought that if he couldn’t walk on Earth, he would have had greater difficulty learning to walk on the Moon.  For that matter, I would have thought he would have been more handicapped on Earth than he was shown being.  But I’m not a physiologist, I’m a physicist, so I might be missing something.

I’m not sure if there are sequels planned or not.  Most of the major plots threads are tied up neatly.  I’m not really sure where the story could go.  Regardless, I enjoyed this one immensely, and I hope sales are good enough that we see more of this sort of novel from Steele and/or Pyr.

I would like to thank Meghan Quinn of Pyr Books for providing me with a review copy of Apollo’s Outcasts. 

Ruby Serenades the Creative Fire Home

The Creative Fire:  Book 1 of Ruby’s Song
Brenda Cooper
Pyr Books
Trade paperback, 351 pg $17.95
ebook $11.99 Kindle Nook
Cover art by John Picacio

Every now and then events conspire to keep you from accomplishing simple tasks, such as reading a book.  This one took me exactly a month.  Normally, I could finish a book like this in days.  But it’s been one of those months.  Days have gone by when I haven’t been able to get any reading done, and much of it was due to pesky little stuff that had to be dealt with so it would go away.

It wasn’t because I didn’t enjoy the book.  I did.  Revolutions on generation ships are a staple going back to Heinlein’s Orphans of the Sky.  It’s a narrow subgenre, but one I enjoy.

The basic set up is this:  The Creative Fire is a generation ship that is heading home to the planet Adiamo.  The crew has grown into a caste society in which the castes are delineated by color of uniform.  Ruby Martin is a grey, one of the workers on the lowest levels of the ship.  One of the disenfranchised.  She and her friends Onor and Marcelle are about to graduate from school and become adults.

Ruby is in a garden when the sky literally opens and a man falls down from an upper level.  The Creative Fire is beginning to show the strain of centuries in space.  This particular pod on the ship is breaking apart.  The man, Fox, is a blue.  Ruby knows they exist, but until now the only other color she’s seen are the Reds, security forces which are junior league gestapo.

Her conversation with Fox makes her want more than a life of drudgery enough to challenge the status quo.  Although much of the ship’s history has been deliberately hidden from the greys, Ruby knows she won’t be the first to fight for freedom.  She hopes unlike some of her predecessors, she lives to enjoy that freedom.

At first, Ruby’s actions and intentions are peaceful.  Ruby has an exceptional voice, one that can move people on large and small scales.  She starts out by singing songs that are rather subversive.  Unfortunately, those she’s challenging won’t hesitate to use force and violence to preserve their positions.  I don’t have to tell you that things escalate.

This book is essentially YA, although I’ve not seen anything marketing it as such.  Don’t let that stop you from reading it.  It’s a well told tale.  The cast of characters is broad, and because I kept getting interrupted there were a few times I had trouble keeping track of them.  In addition to Ruby, her friend Onor is also a viewpoint character.  He’s an effective foil and provides a different perspective on what happens.  Cooper does a good job of crafting the characters as individuals, and most of them have their roles to play in the resistance and revolution.

The promotional material says this book was based on the life of Evita Peron, a woman about whom I know very little other than the basic facts.  Because of this, I’m sure there are a number of aspects to the story I missed.  Even though I’m unfamiliar with the inspiration for this book, Cooper  made the story entertaining and engaging for me.

And there are enough unanswered questions to make me want to read the next book.  Such as, if the home planet of Adiamo isn’t Earth (and nothing was stated to make me think it is), then how was that planet settled.  The Creative Fire is a generation ship.  Was Adiamo settled by generation ships?  Or was FTL technology lost at some point?  What are things like on Adiamo, and what will the crew of  The Creative Fire find when they arrive home?

And isn’t the cover by John Picacio outstanding.  Picacio is a fantastic artist, and I think this is one of his best pieces.

I’d like to thank Jill Maxick at Pyr Books for sending me the review copy and offer my apologies for having taken so long to finish it.  Unfortunately this delay has thrown me behind on some other Pyr titles I have in the stack.  I’ll get them read and reviewed, I promise.

Report on Fencon

Fencon VII/Deep South Con 49 was held in Dallas (well really, Addison), TX on September 23-25.  While I can’t say that a good time was had by all, a good time was certainly had by me.  Everything had a steampunk theme, with many of the guests being steampunk authors.

As usual, there was much more on the programming than I had time to attend.  I didn’t make it to either slide show by the artist guests, Vincent DiFate or Stephan Martiniere. Not because I don’t like those artists.  I do.  It was just that there were other things conflicting with their slideshows.

Rather than try to sum up the whole convention, I’ll hit some of the high points of the events I attended, then post some pictures.

My favorite panel was the one Saturday afternoon devoted to Phineas and Ferb.  Yes, yes it was.  It was the most fun I’ve had at a panel in years.  I hadn’t had a chance to check the schedule in detail before I left, so it was only coincidence when I put on my Perry the Platypus T-shirt that morning.  Really.

I met Phillipa Ballantine (see my review of Geist) and Tee Morris.  They were a lot of fun.  I hope the convention brings them back.  In addition to being two of the nicest people, they were also funny, high energy, and more approachable than many professionals I’ve encountered.

Other good panels include remembrances of the Shuttle, discussions of near space exploration (more than I was able to attend), and a panel on publishing scams that could have been twice as long and still not exhausted the subject.

I got a chance to visit a little with Lou Anders, editor of Pyr books.

There were plenty of room parties, although I found it offensive that the hotel posted a uniformed security guard in the hall near where the parties were being held.

Finally, one of the things I like most about Fencon is there is an entire track of programming devoted to music.  This, I’ve discovered, is a great way to keep me financially solvent  out of the dealer’s room occupied when there’s not a panel or reading I want to attend.  I just read and listen to the music.

I had a good time and came back much more relaxed than when I went.  (I really, really, really needed the break)

Phineas and Ferb Panel

Toastmaster Brad Denton signs for a fan.
Tee Morris and Phillipa Ballantine
Lou Antonelli channels Harlan Ellison by writing in public.

Attendees came from the North, South, East, and West

Publishing scams panel
Steampunking

Who’s Who in the pictures, if not identified in the captions:

1.  l. to r. :  Gloria Oliver, Shanna Swendson, Perry the Platypus, Cathy Clamp, Todd Caldwell, Rhonda Eudaly
2.  Brad Denton and Steven Silver
5.  unidentified
6.  L. to r.:  A. Lee Martinez, Rachel Caine, Tee Morris, Cathy Clamp, Selina Rosen, Amy Sisson
7.  unidentified