Tag Archives: Frank Frazetta

It’s Frank Frazetta’s Birthday

Frank Frazetta, one of the greatest fantasy artists to ever stride this land, was born on this date (February 9) in 1928.  I’m not even going to try to put the impact his art has had on my life into words, much less that of the fantasy field.  Here are a couple of my favorite works of Frazetta’s.

The image on the left is the promotional poster for a Frazetta exhibit I saw in Austin last spring.  That trip has really been on my mind today, maybe because the weather has been so unseasonably warm.  The image was used on the cover of one of Karl Edward Wagner’s Kane books.  You can read about my trip in this post.

Probably my favorite of the Frazetta Conan covers is the one shown on the right.  It’s  for Conan the Usurper.  I saw this one at the Frazetta exhibit, and let me tell you, none of the reproductions do the images justice.  It was awesome to stand in front of some of those paintings and see close up the detail and the brushwork.  The painting were larger than what you see on a book cover, of course, and the detail really stood out.

I think the thing that has always captured my imagination about this picture is the snake.  I hate snakes.  There’s just something evil about them.  I’m not sure why, but they’ve always given me the willies.

Frazetta is gone now, but his work lives on.  While it might be easy to think that with his popularity, there will always be copies available to enjoy, that’s a dangerous way to think.  Today hot property is too often tomorrow’s has-been, or worse completely forgotten.  So take a moment over the next few days to admire a Frazetta painting, especially if it’s one you’ve not seen before or not seen in a while.

Update:  Here are tributes by David J. West and Woelf Dietrich.  They’re both worth checking out.

Roy G. Krenkel Was Born 98 Years Ago

krenkel earthscoreI’m trying to get ready to start the second summer term, so this is going to be short.  But I wanted to point out that today was Roy G. Krenkel’s 98th birthday.  Krenkel is best remembered today for his work with early comics giants such as Al Williamson and paperback covers for Ace, DAW, and Lancer.

Krenkel was a friend of Frank Frazetta, of whom Frazetta said, “I met Roy Krenkel back in 1949 or 1950, and he has never ceased to be a constant source of inspiration to me—a truly conscientious artist who will not tolerate incompetence.”

krenkel kullMuch of Krenkel’s best remembered work was for fantasy adventure, particularly Edgar Rice Burroughs and Robert E. Howard.  Edgar Rice Burroughs grandson Danton Burroughs considered him to be one of the great ERB illustrators.  krenkle-thuvia

A Visit to the Frank Frazetta Exhibit

20160314_135938So last week was Spring Break.  I had to go in to work a couple of days to get some stuff ready for labs, plus there were a number of things that simply didn’t get done, such as writing some reviews (although I did finish the first draft of the WIP), the backyard is still covered with pecans, etc.

I did manage to sneak off to Austin for an overnight trip.  I went down to see an exhibit about violence on the border in the early 20th century, which will be the next post at Dispatches From the Lone Star Front.  That will be followed by posts on La Salle and rural cemeteries.  These will be lengthy posts in some cases, so it may be a week or three before they start showing up.220px-Ffrazettaself

I got to Austin on Sunday with plans to see the museum on Monday, when a notice about a Frank Frazetta exhibit came across my Twitter feed.  An exhibit that was only a short walk (9 blocks or so) away from the Bullock State History Museum, where the exhibit I had come to see was on display.  It was at the Robert Rodriguez museum, a block off the state capital.

The impression I got from the announcement, reproduced at the end of the post, was that the exhibit was only for a week.  I think the dates were a draw for the SXSW crowd.  I didn’t care.  There were original Frank Frazetta paintings that I could go see near where I was going to be in the morning.

So you know I had to go. Continue reading

Blogging Conan: Rogues in the House

Coming of ConanThe Coming of Conan the Cimmerian
Robert E. Howard
Paperback $18
Kindle $11.84  Nook $13.99

“Rogues in the House” may have been among the earlier tales of the wandering Cimmerian that Robert E. Howard wrote, but it is one of the best.  I reread it last night to get in the mood for Howard Days, and found it to be compelling and exciting, even though I knew everything that was going to happen.

Sometimes it’s good to go back and reread something when you know all the plot twists the author is going to throw at you.  Doing so give you a greater appreciation of the author’s skill and technique.  Note:  There will be spoilers. Continue reading

The Frost King, The Frost-Giant, and Their Daughters

It’s been bitterly cold here on the South Plains of Texas for much of the last week.  Temperatures were near record lows for several days.  Just when it looked like things were going to warm up again, we got more snow Sunday.  And that made me think of “The Frost-Giant’s Daughter”, which made me think of “The Frost King’s Daughter”.  And I knew what the next post on this blog would be.

The tale (or tales, if you prefer) concerns the lone survivor of a battle in the frozen north.  Having just killed the only member of the opposing army left standing, he sees a beautiful young woman wearing only a gossamer veil walking among the dead.  She taunts him with her body, and he pursues hers.  Of course, this is a trap.  After a time, she calls her brothers forth, two ice giants, to kill the man.  Instead, he defeats them, captures the girl, and is about to ravish her when she calls on her father, Ymir.  The girls is transported into the sky in a blaze of blinding light that leaves the hero unconscious.  He is awakened by a band of his allies who were delayed by an ambush.  After he tells his story, one of the older men in the group tells the warrior he saw Ymir’s daughter Atali, who haunts battlefields and lures survivors to their deaths so that she might present their hearts to her father.  The old man claims to have seen her as a youth when he was too wounded to follow her.  Everyone thinks the old man had his brains addled by a sword stroke until the hero unclenches his fist to find a veil.

This pair of stories are essentially the same, only the names have changed.  “The Frost King’s Daughter” concerns Amra of Akbitana, while the “The Frost-Giant’s Daughter” is an early Conan story that was rejected by Farnsworth Wright (more on that later) and wasn’t published until the August 1953 issue of Fantasy Fiction.  Unfortunately, that version was rewritten by L. Sprague de Camp.  It wasn’t until 1976 that Howard’s version saw print in Donald M. Grant’s Rogues in the House.  This was a hardback collectible volume, not a mass market edition.  “The Frost King’s Daughter”, on the other hand, was published in the March 1934 issue of The Fantasy Fan.  You probably couldn’t afford an original copy of that little fan publication, provided you could find one.  Fortunately, the entire run has been reprinted in facsimile (details on how to order are here.)

The first mass market publication of Howard’s original version of “The Frost-Giant’s Daughter” wasn’t available until 1989, when both stories were printed side-by-side in Karl Edward Wagner’s Echoes of Valor II.  If you aren’t familiar with the series, it ran to three volumes (as far as I know; if there was a fourth I missed it).  Wagner, a fan and writer of sword and sorcery who deserves to be better remembered, compiled collections of rare heroic fiction.  While many of the stories Wagner selected have been reprinted in recent years, especially the Robert E. Howard and C. L. Moore pieces, there are still some tales that haven’t seen the light of day since and make the volumes worth seeking out.

In his introduction, Wagner states that Howard wrote “The Frost King’s Daughter” first and that the Conan version, “The Frost-Giant’s Daughter” was the rewrite.  How he knows this to be true, Wagner doesn’t exactly say.  He supports his case by saying that “The Phoenix on the Sword” was a rewrite of the Kull story “By This Axe I Rule” (documentably true), and that “Frost-Giant” was a rewrite of “Frost King”.  We know Howard would recycle stories if they didn’t sell, at times changing the names of major characters, and we also know that sometimes the details of his stories would change from one draft to the next.  Furthermore, there is evidence that Howard was still developing the character of Conan as well as the Hyborian Age for the first several Conan stories.  Patrice Louinet, in his essay “Hyborian Genesis” (The Coming of Conan), does a thorough job of showing this development.

And here we encounter a small problem.  Louinet suggests that Howard changed the title of the story and Conan’s name to Amra when he sent the story to The Fantasy Fan.  His evidence seems to be the publication date of “Frost King” as well as an unreferenced letter from Howard to Charles D. Hornig, editor of The Fantasy Fan.  Patrice Louinet is one of the leaders in the field of contemporary Howard scholarship.  Wagner was one of the foremost authorities of his day.  So who is correct?  Was “Frost King” the rewrite, or was “Frost-Giant”?

As far as their respective texts are concerned the stories are almost identical.  I compared them, and there was only one significant deviation I found.  This one:

“Far have I wandered, from Zingara to the Sea of Vilayet, in Stygia and Kush and the country of the Hyrkanians; but a woman like you I have never seen.”

So who do you think said this, Conan or Amra?  Based on the place names, which are the settings of other Conan stories, you would probably think Conan, right?

Well, you would be wrong.  Amra said this.  In the Conan version of the story (Frost-Giant), the wording is “Far have I wandered, but a woman like you I have never seen.”  Conan’s wanderings and the Hyborian geography are never mentioned.  The only reason that I can think of for Howard to add place names from the Conan stories to a rewrite of a Conan story in which he changes the name and nationality of the viewpoint character is to clue readers in that Amra is really Conan.  And since it had been established by the time “Gods of the North” AKA “The Frost King’s Daughter” was published in The Fantasy Fan that Amra was one of the names Conan was known by, it’s not out of the realm of possibility that this was Howard’s motivation.  But why would he do this?  The only explanation I can come up with was that because Conan was a Weird Tales character, either Howard had an agreement with Farnsworth Wright not to try to sell a Conan story to another market (I’m unaware of any such agreement) or he felt that do sell a Conan story to another market would, in a sense, be dishonorable.  It was standard practice in the pulp days for an author’s character(s) to only appear in one magazine.Howard may have been abiding by that practice.

On the other hand, it could be that “Frost-Giant” is the rewrite.  The passage quoted above, the one with the place names, tends to disrupt the flow of the story.  Certainly, its prose is more purple than the same passage without the travelogue.  It could very well be, since as far as I know the exact composition date of either version of the story is unknown, that Howard was already working out the geography of the Hyborian kingdoms and simply hadn’t settled on a final name and nationality of his principle character.  I will be the first to admit that the evidence isn’t conclusive either way, but this is the interpretation I favor.  I’m sure if there’s information I’ve overlooked, Howard fandom will let me know about it.  Quickly.

There’s one other thing I want to address.  Wagner says Wright rejected “Frost-Giant” because it was too racy.  Considering the sexual imagery in some of C. L. Moore’s Northwest Smith stories (another topic for another day), not to mention the sex implicit in some of the other Conan tales, I’m not sure I buy this line.  If Wright was that uptight, why did he publish some of those Margaret Brundage covers?  (I know, I know, racy covers on pulps had nothing to do with the contents.)  Wagner says Wright’s view of Conan was of “a noble barbarian out to perform deeds of chivalrous heroism.”  Again, Wagner doesn’t provide details to back this position up.  In fact, Wright’s rejection of the story, which Wagner quotes, simply says Wright didn’t care for the story and gives no reasons as to why he didn’t care for it.  The general consensus I’ve heard for years on this point was that Wright didn’t like the hero attempting to commit rape.

But is this what Conan/Amra really does?  In the interest of stirring up trouble taking a deeper interpretation of the story, let’s look closely at what happens, shall we?  Atali taunts Conan.  “Spreading her arms wide, she swayed before him, her golden head lolling sensuously, her scintillant eyes half shadowed beneath their long silken lashes.  ‘Am I not beautiful, oh man?’ ”  Sounds to me she’s trying to entice him to pursue her.  This is born out at the end of the story, when the old man Gorm tells Conan Atali lures men to their deaths.  Gorm also describes her as beautiful and naked.  Atali continues to taunt Conan, essentially daring him to follow her.  Conan’s reaction is described as a madness that sweeps away his pain and fatigue.  Howard makes the pursuit sound as though Conan were possessed.

Rather than trying to commit rape, I read the story as Conan being put under a spell of desire by Atali.  Only Conan is stronger than she bargains for.  When he kills her brothers, she realizes she can’t control him nor reverse the spell.  Otherwise, why would she have to call on Ymir for help?  Am I saying Atali was asking for it?  You bet.  Even a casual reading of the story would tend to show that was the case.  What I’m NOT saying is that every (or even any) attempted rape victim was asking for it, so please don’t read that into my remarks.  I don’t consider what Conan/Amra does here to be attempted rape because I don’t interpret his actions as being of his own free will.  This is a fictional story, a fantasy, in which an evil woman’s spell goes wrong and she can’t control the desires she has deliberately cultivated in a man, with the outcome being other than what she intended.  I don’t for a minute think that’s how the real world works, and in spite of some of Howard’s detractors, I don’t think Bob meant that here either.  I think he was telling an entertaining story in the best way he could with a character whose personality he was still developing and exploring.  And in that, he succeeded.

So, to sum up.  I think “Frost-Giant” is probably a rewrite of “Frost King”, and furthermore Conan has gotten a bad rap these many years, accused by some critics of attempting a crime of his own free will when in truth he had no choice about.  Those are my thoughts on this cold winter night.