Tag Archives: Frederik Pohl

From Poul to Pohl

Yesterday was Poul Anderson’s birthday. Today (November 26) is Frederik Pohl’s. Unlike Anderson, Pohl (1919-2013) wrote science fiction pretty much exclusively.

Pohl was a little older than Anderson, so he began writing for the pulps before World War II. He started out writing for the lower-end pulps and went on to become editor of two pulps, Astonishing Stories and Super Science Stories in 1940 and 1941, The war put an end to that.

Pohl was a member of the fabled Futurians. He was involved in some of the more famous (or infamous, if you prefer) fan fueds of the time. That topic deserves its own post. Continue reading

Jack Williamson

Jack Williamson (1908-2006) was born on April 29, which would be etoday as I’m writing this. I wasn’t able to go to the Williamson Lectureship in Portales this year. Instead of living two hours away, it’s more like five. Plus, I didn’t have the cash or the time off from work.

Maybe next year.

But that doesn’t mean I can’t indulge in reading some Williamson and singing his praises (figuratively, not literally, nobody wants to hear that) here on the blog. Aplogies if I’ve said some of this before in previous posts.

Jack Williamson was born in Bisbee in Arizona Territory. Yes, kiddies, before Arizona was a state. He came to New Mexico, if I recall correctly, in a covered wagon. He sold his first story, “The Metal Man”, to Amazing Stories in 1928. He was still writing into the 2000s. I don’t know if he was workiing on anything at the time of his death. Stephen Haffner, if you read this and know the answer to that question, please let us know in the comments. Thanks. Continue reading

Of Editorial Greatness

Earlier today I was reading a post on a site I don’t normally read these days (I was lured by the temptation of a free ebook).  The post made the argument that John Campbell was the greatest editor the science fiction and fantasy fields have seen.

That got me to thinking, which usually gets me in trouble.  I began wondering who would be the greatest editor, greater being defined as having the most impact over time.  The original post didn’t include fantasy other than a passing reference to Unknown.  So I thought I’d throw the question open to anyone who wanted to voice an opinion.  Below is a list I compiled off the top of my head.  I didn’t include any living editors.  If I had, Ellen Datlow would be on it.  My rationale is that the impact of living editors on the can’t be accurately assessed because they are still having an influence and their greatest influences may still be to come.

 

So in alphabetical order are ten editors.  I’ll provide a brief explanation as to why they have been included.  Some will be quickly eliminated.  Others, not so much. Continue reading

Moore Than Just a Kuttner Kornucopia

Detour to OthernessDetour to Otherness
Henry Kuttner and C. L. Moore
Cover art by Richard Powers
Introduction by Robert Silverberg
Afterward by Frederik Pohl
Haffner Press
Hardcover $40, limited edition hardcover $150

In the history of the science fiction and fantasy fields, there have been few authors as versatile as the husband and wife team of Henry Kuttner and Catherine L. Moore. This is especially true at short lengths. (Since Kuttner was an early mentor of Ray Bradbury, this is hardly surprising.)

In the early 1960s, Ballantine Books published two collections of their work, Bypass to Otherness and Return to Otherness. Stephen Haffner states on the page for Detour to Otherness that a third volume was planned but never published. I’ve never heard this before, but I’m more than willing to take his word for it.

The first two Otherness titles contain selections from several of Kuttner’s most popular and well-remembered series. The Hogbens are represented, as is Galloway Gallegher, a scientific genius but only when he’s drunk. Also included is the first of the Baldy stories that comprised the mosaic novel Mutant. They don’t have some of his best known stories, which may not have been available at the time because they were in another book from a different publisher (Line to Tomorrow, Bantam), but this is one of the best samplings of Kuttner and Moore’s work.

Haffner has assembled enough stories for a third collection and combined them in the present volume. That section of the book is called Detour to Otherness, which is also the title of the omnibus.

Haffner had nothing to do with the selections in Bypass and Return, he was responsible to the stories in Detour. Thus, while critiquing the choices in the original volumes is a waste of time, it is very much on the strength of the stories in Detour that the volume will rise or fall. None of these stories has appeared in a Kuttner collection before, although most of them have been reprinted somewhere. I’d read almost all of them before. Let’s look at them more closely. Continue reading